Angela Bocage is a longtime artist and editor for underground and alternative era comics, including the epochal Wimmen’s Comix and Real Girl, one of the most dynamic sex-positive anthologies of the 1990s. Here she sits down with Edward Dorey to discuss her long and varied journey.
It’s vacation season! For you, NOT for the links. Get ready to pour this smoothie of blended information directly into your brain.
In this pre-Journal Word Balloons fanzine interview, Neal Adams talks to Martin Pasko about drawing character expression, the Marvel method, and his take on artists such as Gil Kane, Jack Kirby, Steve Ditko and Joe Kubert.
In which Tom Shapira examines the long-lived UK action strip, and its increasing fascination with its own history, through two recent stories written by its co-creator, John Wagner.
Starting the month off right, Matteo Gaspari debuts a new series of in-depth articles about contemporary Italian cartoonists who deserve greater recognition, both in Italy and abroad. First up: Giacomo Nanni, who gives narrating life to trees, cats, earthquakes and more.
Not one interview but three, as Brian Nicholson investigates the wide world of middle school graphic novels. A publisher, an artist and a librarian sit down with Brian to discuss this booming area of commercial comics.
Further brief relief from the mind’s ache of the everyday.
André Valente hits the street of Angoulême during the weeks of the year when it isn’t packed full of comics to see what kind of memories he can track down. (The answer is quite a few!)
Andrew Field returns to examine the works of Liana Finck: the Jewishness of her work, and the interplay between the literary and comic, in a tradition that extends far back in time.
You never get a second chance to make a first impression, and sometimes, your first impression includes a phrase that you may never be able to recover from. André Valente presents: A Cautionary Tale!
“Webtoons” are the rising popular style of webcomics today, employing an infinite canvass to draw the reader’s eye downward in the manner typical of internet publishing. But what happens when these comics are transformed into books? Aidan Lee explores the bumpy results.
Thanks to Avery Hill, we’re pleased to share “Toys” from Taki Soma’s upcoming graphic novel, Sleeping While Standing.
World Fantasy Award and Arthur C. Clarke Award winning novelist Rachel Pollack talks with Alex about her influential work writing Vertigo’s Doom Patrol, a life spent in love with Tarot, and what motivated a still-recent return to comics writing.
Ah, news, the song of– wait, did we get an Eisner nomination? For BEST ARTICLE DESCRIPTIONS?! Oh my gosh, I am so honored! There’s no way Karl Ove Knausgård of ComicBook dot com can beat me!
In this archival September 1982 interview, Perez talks about working on the Teen Titans and his ambition to draw all of the Marvel and DC characters.
When the war in Ukraine began, PhD student Evheny Osievsky was reading Watchmen in Kyiv. Watchmen, with all of its martial brinksmanship; its dreams of apocalypse. This article examines the end-of-days texture of the Alan Moore/Dave Gibbons/John Higgins classic.
On the West Coast, comics creators are recharged and attending in-person events again. Christopher Diaz was there to capture candid shots of the Hernandez brothers, R. Kikuo Johnson, Jordan Crane and more for TCJ!
Ian Thomas chats up the creator of
Hmm, news. Don’t know what to make of it anymore. Used to be you’d glance at a paper on the stands, raise an eyebrow. Now it’s all modems. The weather…
In this 1982 interview, Neal Adams talks about working for Marvel and DC, a comics guild, creator’s rights, his auteur film effort, and more.
R.C. Harvey first encountered Playboy in 1955, two years after it started publishing. Today, in 2022, he eulogizes what the magazine used to be, and laments what it eventually became.
Ken Niiumara talks with Alex Dueben about his recently published Never Open It: The Taboo Trilogy with Yen Press, which sees the cartoonist delivering a fresh take on centuries-old Japanese folktales.
As the newsstands gave way to the comic book direct market, and fans obsessed over the minutiae of hundreds of characters, a Titan emerged who could draw them all with the grace and weight of polished jewels. Here we remember George Pérez.
“Hey everybody! Are you ready to talk about comics this week?!” The festival crowd masses forward and launches an enormous wooden plank directly at my head. I see Iron Man inside the sky.
