As the newsstands gave way to the comic book direct market, and fans obsessed over the minutiae of hundreds of characters, a Titan emerged who could draw them all with the grace and weight of polished jewels. Here we remember George Pérez.
“Hey everybody! Are you ready to talk about comics this week?!” The festival crowd masses forward and launches an enormous wooden plank directly at my head. I see Iron Man inside the sky.
In this 1983 interview, Justin Green talks about God, the Vietnam war, underground comics and Superboy.
Remembering one of the giants of mainstream comics: among the most influential superhero stylists of the 1970s, and a committed agitator for creators’ rights.
Tiffany Babb speaks with artist Sara Alfageeh and writer Nadia Shammas on their shared backgrounds, fantasy worlds, and the role of storytelling when it comes to empire building – and how all of this came to inform the creation of their graphic novel Squire.
Remembering the underground comix great – a pioneer in autobiographical comics and minicomics, and a private, dedicated artist.
The other week I learned my four-year old nephew has begun making little zines… laughing in genetic destiny.
An examination of the particular traits Chris Ware brings to graphic novels – or should we say “story drawings”?
In this extensive interview, cartoonist, creator and innovator Liam Sharp discusses his sprawling career drawing superheroes, creating businesses, writing novels, supporting a family, embracing the struggle, representing his hometown, and much, much more. Yes, more than that.
Atop a hill enveloped in a blazing sunset, the children play.
Bill Kartalopoulos visited the 49th Angoulême International Comics Festival, and there are dozens of photos to peruse in this big trip report!
While “Animal Man” may be the first title you think of when his name comes up, Chaz Truog’s career has gone much further than one fondly remembered DC comic. In this conversation, he talks about time spent in the monthly trenches with Coyote, his groundbreaking work on Leonardo Da Vinci in Chiaroscuro and his latest, the violent medieval epic, The Passion of Sergius & Bacchus.
David Roach takes a look at the work of Garry Leach, one of the most influential British comics artists of the last 50 years, who passed away in March of 2022.
I can’t believe I have to set foot in a church this weekend after looking at those Squeak the Mouse pages… but I have faith. Faith that these links will purify this fallen world!
Massimo Mattioli‘s Squeak the Mouse is an excellent comic; transgressive to the point of sparking litigation. But what does it mean to be ‘transgressive’ today? To be sold as such? It’s one thing to get the joke… but who is it on?
In this interview, which originally ran in TCJ #198 in 1997, British cartoonist Hunt Emerson (Phenomenocomix, Firkin, Calculus Cat, Casanova’s Last Stand) talks about his relationship to the American underground and European comics scenes, adapting classic literature, music, Fortean philosophy, and much more.
You got it, Swee’Pea – it’s the untouchable report from the world.
Andrew Hussie’s MS Paint Adventures used online media spaces to foster communities, modes of presentation and storytelling in a fashion that allowed the conventions of comics to be bent and broken to fit artistic vision to a degree that remains unique in the medium’s history.
Over the last few years, Rick Veitch has utilized a host of publishing tools to bring his older work back to print, and to return to those series as well. Jason Bergman caught up with him about his dreams, his super-heroes, and which major publisher is still frightened by his work.
There is no news today; instead, this post is a map to hidden treasure. Ha ha, April Fool’s! The treasure is inside all of us who share in the miracle of hyperlinks.
Author Brian Doherty’s forthcoming narrative history of underground comix, “Dirty Pictures”, is a big one – so big, an entire chapter had to be deleted for space. Today, we present to you that lost chapter as a standalone reflection on the generation gap (or lack thereof) between the underground cartoonists and their older, straighter inspirations.
After decades spent in the underground comics trenches, playing music and fighting careerist temptations, George Hansen has settled into a nice routine: “making the animals happy”. Bob’s ready to take a look, we’ll let Goshkin keep the score.
Eric Orner is one of the only former U.S. Congressional aides who can lay claim to a long-running comic strip and time spent in the Disney trenches. Today, he’s talking to Alex Dueben about how that history helped inform Smahtguy, his biography of the iconic and iconoclastic Barney Frank, one of the first gay and out congressmen and a front-line defender of civil rights.
Reticence is nothing to the flying hand of news, and here is where it is caught.
