Sometimes you’ve got to take a step back, look at the whole picture of comics, and figure out: what kind of language are we using here? What is this art form we’re talking about, and are we doing an accurate enough job talking about it? Also: CAVES.
There’s never a bad time to talk about Bill Mauldin, but it’s especially a good time when you’ve got a whole bushel of Maulidin trivia, history and gossip to share thanks to Bob tracking down a copy of 2020’s Drawing Fire: The Editorial Cartoons of Bill Mauldin.
Today is the 35th anniversary of the conclusion of 1986’s Great Peace March of 1986. Michael Tisserand, who participated in the March, is celebrating by telling the lesser known story of the great Guy Colwell, who served as the March’s cartoonist. (A gallery of Colwell’s work is, of course, on hand).
Bob looks back at the life and career of M. Thomas Inge, his friend, editor, and collaborator, and reflects on the groundbreaking work that Inge did in the world of comics scholarship.
“There was no money. I think we were actually paid in drugs.” — Mark Michaelson, former art director The East Village Eye Lower New York has been the scene for numerous “art movements,” and the decade between the mid-70s and mid-80s sure was one of them, especially for the convergence of comics, “art,” and punk John Kelly | February 15, 2016
Happy Holidays to everyone, whatever it is you celebrate–or not celebrate–this time of the year. In the spirit of the New Year, and in an effort to further explore some historical connections between comics and other forms of popular culture, today we will be focusing on some of the Christmas-time covers done by an extraordinary John Kelly | December 22, 2015