Hey, It’s a Column about Wolverine
At about the fifty percent mark of this review, Tegan mentions that this column is actually about Wolverine comics by the team of Goodwin, Byrne & Janson. Wait for it!
At about the fifty percent mark of this review, Tegan mentions that this column is actually about Wolverine comics by the team of Goodwin, Byrne & Janson. Wait for it!
A few words with a most distinctive artist – on the creative process, his newest works, getting by in the world, and the future of Frank.
This 2006 article investigates allegations against CBLDF executive director, and explains how they led to the creation of a women’s empowerment fund.
The Small Press Expo and the Comic Book Legal Defense Fund speak about the $20,000 fund recently set up to assist the 11 defendants facing a $2.5 million dollar defamation lawsuit.
Casey was able to get past previous sponsorships by Amazon-owned comiXology at SPX, but this year is different.
An exclusive excerpt from Koyama Press & John Martz! We’ve all read about witches, those pointy hat wearin’, broom ridin’, spell castin’, superlative olfactory organ sportin’, child nappin’ creepies. But Evie wants to be scared, and Evie has found out the truth about witches, and she didn’t find it in a book.
How the cult of simplicity limits our understanding of comics’ potential
Today we’ve got Fiffe & all the overlords of the ChazaNation. It’s Monday, and it’s time for vengeance.
Michel Fiffe’s wandering eye makes its way to the pages of Walt Simonson’s run on Marvel’s Fantastic Four.
In this extensive conversation with Josh Kramer, cartoonist Jason Lutes reckons with the twenty years of cartooning it took for him to reach the conclusion of his epic graphic novel, Berlin.
In this 1986 interview, Severin discusses her time at EC, revealing her coloring process and the people behind the legendary company.
The prolific writer of many war and horror comics, who co-created the Johnny Blaze version of Ghost Rider, died last Thursday.
In this 1987 interview, Ken Jones talks to possibly the least-recognized high-quality artist to ever work in American comic books, who left an indelible mark on both Western comics, where he started his comic-book career, and on war comics, for which he would attain his greatest fame.
Charles Brownstein’s 2006 statement regarding his actions in Ohio.