Sarah Horrocks: Day Four
If you only read one comic featuring a concise critique of backseat coaching today, then you probably read this one: it’s Sarah Horrocks, Day Four!
If you only read one comic featuring a concise critique of backseat coaching today, then you probably read this one: it’s Sarah Horrocks, Day Four!
Finding an emotional echo within the work of action based entertainment, pouring inspiration into creation: Day 3 is here.
Coming off the career making success of Chew, artist Rob Guillory returns to his roots, in more ways than pun, with Farmhand. It’s being published by Image and colored by Taylor Wells–but everything else is up to Rob. Alex Dueben has the score!
The best part of drawing comics is the part where you have to…pack a bunch of envelopes? Ya heard, it’s true, Day 2: Sarah tells it like it is, in today’s television criticism heavy installment.
In this installment of the Fine Arts and Cartoonists discussion series, Joe Coleman talks about the emotional roots of his work, ranging from Hieronymous Bosch to ’50s schlock cinema.
Music criticism, donut questions and the Temple of the Golden Pavilion: it’s a heady stew that goes into Sarah’s melting pot, here at Day One of her Cartoonist’s Diary!
A reflection on the life of Steve Ditko, best known for his many contributions at Marvel and across the comics industry.
In this installment of Retail Therapy, Leef Smith talks about what it takes to stand out and succeed in comics retail.
In this interview from 1979 (The Comics Journal #53), Gary Groth and Harlan Ellison talk about plagiarism, the potential of the medium, Hollywood, and more.
Science fiction’s enfant terrible passed away June 27 at the age of 84. He was born in advance of the boomer tide, but in a sense, Ellison was the voice — or a voice — of that generation.
Bell talks about how the art of today may not be considered the art of tomorrow, art meant for reproduction as an artifact, and more.
Shawn Martinbrough’s new show of original art has him looking back on twenty five years of making comics, working with artists, the hunt for the ultimate black ink–and the preparations for working with George Lucas.
Does Will Eisner really deserve so much more respect than Don Martin and Dave Berg?