“I Never Thought of Myself as a Cartoonist”: A Glen Baxter Interview
Baxter has been creating strange, perplexing, delightful pieces that blur (and possibly erase) the lines between art and comics since the 1970s.
Baxter has been creating strange, perplexing, delightful pieces that blur (and possibly erase) the lines between art and comics since the 1970s.
Steffen Kverneland on graphic biography and The Scream
Discussing Manic Pixie Nightmare Girls!, Bread and Wine, Kiki Smith, and so much more.
Hope to see you in San Diego! I mean, sometime in the future. I’m not going this week, fuck that.
A look at the differences between print comics and Korean webcomics, or webtoons, and the effects and implications that those differences generate in terms of the aesthetics of webcomics as a new medium.
The Canadian cartoonist, musician, and multimedia artist died Saturday, July 9, at the age of thirty-five.
Tributes to Geneviève Castrée by Anders Nilsen and Diane Obomsawin.
The whole world is watching.
This time our crew consists of Klaus Nordling, Harry Sahle, Tony DiPreta and, in Connecticut for a brief stay, Alex Kotzky.
Ann Telnaes, editorial cartoonist for the Washington Post, discussed recently the implications for her profession of the social media reactions to the notorious “Ted Cruz monkey children” cartoon she drew last December.
Just a few morsels for us to chew.
Talking to the Turning Japanese creator about storytelling, promotion, traveling to Japan, and an atheist’s take on spirituality.
The no-liberation zone.
The cartoonist behind The Quitter and Beef with Tomato talks the dual impacts of Jack Kirby and Prince, as well as his new serial, The Red Hook.
Walt Kelly, George Ward, Pogo, and politics.
Dedicated to you. Our future pioneers…
The creator of Fleep, Bookhunter, and Demon talks webcomics, day jobs, the pleasures of solving puzzles, and competing with Craig Thompson.
Talking to the cartoonist and author about The New Yorker, society, and Peter Arno.
Taking stock of a wide, stylistically various range of comics, released over the past three years by the imprint run by Box Brown and Big Planet Comics.
This time, I shall preserve the margins of the front page with mechanical precision.
Milburn (Twelve Gems) discusses halting his Vice strip Envoy, a ‘lazy river’ theory of comics-making, the Closed Caption Comics group, and polarizing creators from R. Crumb to Frank Miller.
How They Unwittingly Conspired To Bring a New Mass Medium into Popular Culture.
As above, so below: Hellboy is all about love.
Two masters of the comics medium talk sex, comics, religion, and critics.