Sara Lautman: Day Two — Weekend Material/The Net
Talking to Sarah
Talking to Sarah
He makes it look so easy.
A report from the “Masters of Webcomics” panel at the Silicon Valley Comic-Con, with Jonathan Lemon, Jason Thompson, Jason Shiga, and myself, as well as Andy Weir, who started his creative career with the webcomic Casey and Andy before writing The Martian.
Getting lost.
the creator of School Spirits and Band for Life (as well as a Kramers Ergot 9 contributor)–talks Lauren Weinstein, Slug and Lettuce, The Sculptor, and more.
Driving opposite the sirens past the Donald Trump rally; don’t forget me, Hank.
Cars, collage, and reading loud with the Montreal-based artist.
How will an independence pump over comics? Simon Hanselmann oils comics. The difficult excess swims comics across dull seas. Simon Hanselmann squashes the pressure.
Given the date, my editors can pretend I’m on extremely average drugs.
It’s time someone came out and said it—Chester Gould’s Dick Tracy is bonkers. Stark raving crazy. But it’s an American crazy—we feel at home in it.
Gil Kane, Warren King, Leonard Starr
Weekly services for adherents of commerce.
Checking in with the prolific cartoonist, whose current work includes the publications BDSM, Flop to the Top!, and Libby’s Dad.
The veteran artist behind macabre masterworks such as The Chuckling Whatsit and The Hidden discusses his recent work, the appeal and dangers of creating disturbing art, lessons learned from Dick Tracy, and the politics of horror.
Looking at a latter day ligne claire cartoonist, Dutch artist Hanco Kolk.
The contributors and editors of Wimmen’s Comix discuss the history of the anthology and of women in the underground. Part 2 of 2.
Rolling out with a late manga stalwart, while pop comics take the spotlight.
Bell discusses Ulli Lust, This Dog Barking, and getting good advice from some surprising sources. All this and a cameo from Aidan Koch!
Parting thoughts.
If Zap Comix #1 kicked off the underground comix movement, then over the two decades of its run, Wimmen’s Comix played a key role in shaping the generations of cartoonists that followed. This was a publication that was explicitly political, interested in memoir, promoted women’s voices, and was inclusive in every sense of the world.… Read more »
Sumo/picnic.
An obituary for the prolific alternative cartoonist.
Some of the most important colorists from around the world gather to talk about the pros and cons of their job, the best and worst ways to color, the effects of new digital tools, and oh yes, how much they get paid.