Hello, Culture Lovers! Stan the Man Raps with Marvel Maniacs at James Madison University
In March of 1978, Stan Lee sat on a panel at James Madison University’s Fine Arts Festival.
In March of 1978, Stan Lee sat on a panel at James Madison University’s Fine Arts Festival.
Contributors and friends share their favorite comics of the year. The best top ten lists on the internet.
Time to catch up on some of the best comics writing of the year.
The eminently quotable (and phenomenally talented) artist, writer, teacher and, whether she claims it or not, critic, sits down with Sean T. Collins to talk about how she handled the selection process behind the most recent edition of Best American Comics.
If French press cartoons are unashamedly rude, what’s at the heart of such a caustic culture? The answer can be found in a current Paris exhibition, Caricatures: Victor Hugo On Page One.
According to Fiffe, George Freeman’s got it all–but don’t let a blurb convince you. Fiffe’s got the man’s actual work here to make the case!
Our story begins with Ham Fisher and the birth of Joe Palooka.
While the construction of Mort Cinder has been noted to be a flexible and collaborative effort between Breccia and Oesterheld, there are distinct and recurrent motifs in it which suggests it was not put together for reasons of mere entertainment or with little forethought. If anything, there is a coherence and depth in its plotting which suggests a steady hand at the tiller.
On the penultimate episode, the BTTM FDRS creator discusses the impact of Prince of Cats, shelving a post-collegiate magnum opus, and when leather jackets and moshing came to hip-hop.
Matt Seneca returned from his French vacation with a stack of comics. I know they call them something different over there, but i’m not over there, am I? Let’s see what he thought!
The story of Al Capp and Ham Fisher, two cartooning geniuses, their rise to celebrity and their furious interactions with each other, is the stuff of epic adventure fiction,
but here, it is fact.
The later years, when Elmo made way for Little Debbie.
Let’s look back with Frank Young, and then pay homage to the world’s largest independent media conglomerate (in terms of revenue).
An appreciation of the 1940s strip Elmo, which was both ahead of its time and behind the times—possessing the absurd cool of a Nathanael West or S. J. Perelman and droll ensemble comedy reminiscent of Thimble Theater.