I Like Testing the Audience’s Patience: An Interview with Patrick Kyle
A discussion with the innovative Toronto artist and comics-maker behind Don’t Come In Here and Distance Mover.
A discussion with the innovative Toronto artist and comics-maker behind Don’t Come In Here and Distance Mover.
It’s called a shaggy dog story, pal. Vassilis Gogtzilas was here all week.
The return of pirate cartoonist Dan O’Neill
In today’s diary, Vassilis Gogtzilas struggles with the temptation. After all, when you’re setting at the drawing table, with no one watching…wouldn’t you?
The line between the break-up and the infinite fields beyond our moon is, technically, an actual line on a page. Vassilis Gogtzilas has the scoop!
Sometimes you get to be the royal mouse, sometimes you get to be the cool wolf. But then there’s the moments when you get fitted for clown shoes.
Liza Donnelly talks about her career at The New Yorker, the “Funny Ladies” show at the Society of Illustrators, and what you do next when you break your drawing arm.
Today, artist, illustrator and painter Vassilis Gogtzilas begins the weeklong process of peeling his own cap back.
Some people shake off their cocoon slowly, while others incinerate it in glorious, immediate flame. Michel Fiffe returns to make the case that the latter description fits Vince Giarrano.
A must read interview, a rock solid review. Take the wins when they come.
A frank and searing conversation with Charlie Hebdo cartoonist Catherine Meurisse about her graphic memoir, Lightness, recently translated for English readers.
Thanks to Koyama Press, we’re pleased to share this excerpt of Nathan Gelgud’s latest work, House In The Jungle. In it, a potent pineapple dealing hermit’s transcendental quest is disrupted by the encroaching townspeople he supplies. Then things get weird!
2018 saw Desert Island into its tenth year, which means we finally pinned Gabe Fowler down for the latest installment in our Retail Therapy column!
The great cartoonist and idiosyncratic historian Eddie Campbell discusses what he considers the misunderstood true origins of the comic strip.
Marc Sobel takes a long look back at Give Me Liberty, Frank Miler and Dave Gibbons exploration of fascism and heroics, to see if the book got anything accurate with its prediction of the future.