Layout Workbook 3
This week we’re going to look at how margins can determine timing and sequencing in North American comic books.
This week we’re going to look at how margins can determine timing and sequencing in North American comic books.
A long buried time capsule contains hints of both a theory of communication and a utopian vision implicit in Gekiga.
Part two of a meditation on The Invisibles, spectres of the past, and the tone of the future.
Killer clowns! Buried publishers! Evil boots! Second printings! NEW COMICS.
This week we’re going to look at how the 6 x 9-inch printed live area situates itself on the North American comic book page and spread.
Rob reviews two new releases from the publisher Revival House: Trigger #2, by Mike Bertino; and Everything Unseen Parts 1-3 by Drew Beckmeyer.
The last time I saw Matthias Schultheiss, plus all your favorite upcoming comics, unless you hate them.
An interview with the Bay Area cartoonist and author of Kiss & Tell: A Romantic Resume, Ages 0 to 22.
I write to you from Little Torch Key, Florida, where I’m on a little family “vacay”. But don’t get smart, I’m still watching you!
Some notes on race and comics which attempt to bring some nuance and complexity to a frustrating debate by bringing some historical facts to the table.
We’ll be looking at paper sizes available for making comics on American photocopier machines. So bust out your ruler, triangle, and compass.
After 28 years drawing and/or writing Dick Tracy, Dick Locher is giving up stewardship of the iconic comic strip.
The fifth day in a week of the life of cartoonist Vanessa Davis.