THIS WEEK IN COMICS! (5/24/17 – The Philadelphia JNCOs)
Just trying to be fashionable over here.
Just trying to be fashionable over here.
Panayiotis Terzis on riso printing – the hope of the future? Perhaps.
Talking to the pop culture scholar and author of Take That, Adolf! about the anti-Hitler comics of the WWII era.
I’m back, and I’m dozing.
Rebecca Roher, Steve Wolfhard, Henriette Valium make it a year of first-time winners at 2017 Doug Wright Awards.
Talking to the festival’s founder about its origins, its future, and the ins and outs of running a comics show.
Ben Sears (Night Air, Volcano Trash) talks John Romita Jr. and Jacques Tati. Plus, the ultimate gag-strip faux pas!
Kramers Ergot 9, Crickets 6, and much more.
Jog’s on vacation, but the comics keep coming.
Talking to the Crickets creator and Kramer’s Ergot editor about his life, his comics, horror, film, family, Australia, the art of editing, and much more.
Talking to the Eisner- and Doug Wright Award-nominated creator of Hungry Bottom Comics.
A rare conversation with the longtime cartoon editor of Playboy.
Drew Friedman’s Heroes of the Comics exhibition is opening Thursday, May 4th at 6 pm at the Society of Illustrators.
Finally, comics that document my life.
The award-winning children’s book illustrator on publishing his first graphic novel.
Continuing my series on the pioneers of risograph printing with a conversation with John Pham.
A most unusual import, among other fresh selections.
Roy Lichtenstein is one of the twentieth-century’s most important artists. He’s far from one of its best letterers.
Annie Mok interviews Gabrielle Bell about diaries, metacognition, and more.
Scenes from the apocalypse craze! Ready your soul for deliverance unto the high spire of GLOBAL FUNNIES.
The French cartoonist talks Mama Cass, her new graphic novel, and the Smurfette Syndrome.
On the occasion of this film My Entire High School Sinking into the Sea opening at the Metrograph in New York, Dash Shaw curated a selection of DVDs and publications for the theater’s store. Here he explains what and why.
Moiseiwitsch drew dangerous comics. Prominently featuring murderous cops, third-world refugees, and war crimes hopscotching their way to our front door, her works were dangerous because they gave us the raw truth, seemingly drawn in dense black sauce.
If you buy 40 comics for a dollar, that’s still a lot of money!