Noah Van Sciver: Day Five
October country.
October country.
Frank and John Kelly report from the first Cartoon Crossroads Columbus, “easily the best comics show.”
Hey hey hey
Lunar eclipse in Vermont
In this 1993 interview, Eichhorn talks about matching artists to his writing, Bukowski, and Harvey Pekar.
Donuts and drawing.
New Stuff, Old Stuff.
The pioneering Real Stuff writer led a truly eccentric life. While many autobiographical writers tend to focus on day-to-day trivialities, Eichhorn’s stories were loaded with sex, drugs, and a whole lot of violence.
Remembrances from Noah Van Sciver, Shary Flenniken, Art Chantry, Mary Fleener, Pat Moriarty, and other collaborators.
Life as a fellow at the Center of Cartoon Studies.
Talking to the creator of Wuvable Oaf, and the team behind publisher 2D Cloud.
Talking Euro with editors Hugh Frost and Leon Sadler.
Guest columnist John Kelly writes about two international guests at this year’s SPX: New Zealand’s Dylan Horrocks and Spain’s Joan Cornellà
Hayley Campbell catches up with “Britain’s most isolated cartoonist”, Jon Chandler. Movies are discussed, the specific pen and ink recommendations of Sammy Harkham are touched upon, and complaints regarding nudity are registered.
Lateness can’t stop money.
Assembling and mounting the first serious institutional retrospective exhibition in America examining the art of Jack Kirby is a task fraught with contradictions.
A look at the varying accounts surrounding the Los Angeles Times’ firing of Ted Rall, and whether the LAPD told the newspaper to do it.
One hell of a lot of comics this week. Just stay indoors.
My recent reading — making my way through the piles. We’ve got your Koch, Benjamin, Davidson, Marra, Chandler, Pratt, Toth, Lagon, etc.
Jane Mai’s See You Next Tuesday is a raucous bunch of short comics and scraps. This third book in what appears to be a loose trilogy is lighter and funnier, but allows itself to go deeper and darker as a result.
This 1973 film from Osamu Tezuka’s production studio was a commercial failure and remained unseen by wider audiences for years after its initial release.
The classics continue, because I let them.
Comics as a self-aware form.