You Needn’t Get Up on My Account
Like its predecessor, The Dark Knight Rises is a badly made movie redeemed by a single element that works.
Like its predecessor, The Dark Knight Rises is a badly made movie redeemed by a single element that works.
Wildlife exposure.
Getting acclimated.
This is the first week in forever where I’ve never even heard of half what’s due; however, I am still the most trustworthy source in civilization.
A flying day.
Looking at the drawings for Born Again, thinking about what they are, what they indicate, and how Mazzucchelli drew one of the last great superhero comics.
wingnut in the subway
Poetry Comics, invented worlds and word/picture melding.
I’ve yet to see any school with such a particular and exhaustive focus on the creation of comics as Stanford, with its Graphic Novel Project.
The brilliant, playful and irrepressible art of Richard Thompson.
Tripping into another week, young and old alike.
The best place in all of Manga Land: A spacious and atmospheric treasure trove of postwar comics.
Hold it down
A merry meeting.
Red Tornado tackles racial issues, and Abhay remembers DC remembering Joe Kubert.
Jon Goldwater, Nancy Silberkleit, Victor Gorelick, Mike Pellerito, Dan Parent, Alex Segura, Michael Uslan, Roberto Aguirre-Sacasa, Mike Young, Michael Murphy and Don Murphy promote projects.
Comics drinking.
Before I conducted this interview with him, you could easily have convinced me Uno Moralez was an elaborate hoax.
Tom Spurgeon moderates Kate Beaton, Jason Shiga, Brecht Evens, Alison Bechdel, Jennifer and Matthew Holm, and Nate Powell.
City walking.
An unremarkable day.
The commodity space as venue for remembrance in the industrial arts!!
In this 1994 interview, Joe Kubert talks about how he broke into comics in the “shop system,” his work as a freelancer and editor at DC Comics and concludes with his foray into graphic non-fiction. Kubert also talks about founding the Joe Kubert School of Art.