Color Riff
Just riffin’
Just riffin’
Our hero stumbles on the birth of television.
The key repeating motif of Dave Kiersh’s cartooning career is Peter Pan.
Discussed: The approaches various media have taken to the same source material, Crumb’s personal religious beliefs and what it’s like to bring to light some of the less savory Bible stories.
Exotic surprises are in store for you as we examine the upcoming releases of… Not the United States!!
Garfield is now 33 years old. And still likes lasagna.
The creator of Weathercraft and Congress of the Animals opens up about his upbringing, influences (from Max Fleischer to Kenneth Patchen), and art.
What is in the archives? Has the CMAA actually dissolved?
A report from the Pittsburgh Biennial at the Carnegie Museum of Art.
The life and art of a comic book master.
From Ice Haven to Mr. Wonderful.
Gene Colan talks to Larry Rodman about his time on Howard the Duck, Daredevil and Tomb of Dracula.
Jazz, folk and the ’40s.
A look at the legalities surrounding the end of the Comics Magazine Association of America.
A Center for Cartoon Studies special, featuring school graduates Lucy Knisley, Melissa Mendes, Joe Lambert, and Steve Seck.
“Night of the Jackass”? Like, every Monday before this column goes up?
A remembrance of the late Lew Sayre Schwartz.
Tim Kreider tries to separate Dave Sim from his notoriety long enough to figure out if Cerebus is a masterpiece or not.
It seems like a dream, but one cold day in 1917 some of the world’s greatest cartoonists squared off on a baseball field.
This week we are going to look at “second color” application.
Jim Woodring talks about his career in animation, shares anecdotes about Jack Kirby and Gil Kane, his move to Seattle, his transition from autobio to Frank, collaborating with Harvey Pekar and more.
Amy Poodle concludes this three-part meditation.