John Goldwater, the Comics Code Authority, and Archie
How a Poor Orphan Boy Invented One but Not the Other.
How a Poor Orphan Boy Invented One but Not the Other.
Catching up with the author of Applicant, Slow Wave, and Ten Thousand Things to Do…
One door closes, another door opens. But often in comics it’s an older door to a room you’ve seen…
What’s the frequency, Kenneth?
Just a few months after the Comics Code met its less than grisly fate, the U.S. Supreme Court cited the anti-comics crusade of the 1950s as an example of misguided censorship.
The author of Berlin and Jar of Fools enters the studio.
The Thor and Manhunter artist talks about his new Artist’s Editions, Jack Kirby, Mike Mignola, Stephen King, and trying not to draw Peter Weller.
A summer travel edition, postcards included.
In this brief interview, Joe Simon talks to Gary Groth about co-creating Captain America with Jack Kirby, as well as many other titles they worked on together.
So, what does this have to do with comics?
The earliest webcomics predate the World Wide Web and are almost as old as public online file transfer.
The true roots of Tatsumi’s Black Blizzard.
Singh’s work stands in proud defiance of the time, embracing surrealism, Renaissance composition, nonsense poetry, Victorian illustration, and the work of Lewis Carroll.
Dapper Dan may be extraterritorial for now, but we’ve still got all the seasonal metal-crushing fury you can stomach.
Just some diagramming this week.
Carroll’s sequential art is as ambitious in form and uncompromising in tone as her standalone pieces are lovely to look at.
It’s time to rock.
They send ’em, I review ’em. Eventually.
In this episode, Mike speaks to the creator of Minimum Wage.
Welcome back, America! New comics are still on Wednesday, and this column is still… RIGHT NOW.
An interview with the illustrator, cartoonist, and author of Indoor Voice.