Excerpt: Good News Bible
An excerpt of the politically charged, hallucinatory, Jack Kirby-infused punk cartoons that Shaky Kane brought to Deadline magazine decades ago.
An excerpt of the politically charged, hallucinatory, Jack Kirby-infused punk cartoons that Shaky Kane brought to Deadline magazine decades ago.
There’s a part of me that wants to constantly relive that because when you’re a teenager your emotions are so raw. You think you have everything figured out, but you’re also so lost and frustrated. I just find it fascinating, and I’m trying to organize that time of my life on paper.
Upon the release of The Lie and How We Told It, Tommi Parrish talks about bookmaking, working at Outback Steakhouse, and the Australian comics scene.
Bemoaning the state of quality Wetworks criticism, a blog entry containing links to today’s entries and a ticket to the best super-hero slash-em-up tale of the hot hot 90’s.
But this is what has pushed me into the arms of prose fiction: I am so tired of producing graphic novels. I’ll never leave comics. It’ll be more like a shared custody thing… but since I made the choice to split my time it’s made me a lot happier.
An excerpt from Kate Polak’s Ethics In The Gutter: Empathy and Historical Fiction in Comics, focused on a storyline from Hellblazer.
Noah returns, a doctor speaks, Nicholson finally gets it right, and official donuts are revealed.
And she compares Primo Levi’s “over-analysis” of Auschwitz to her own over-analysis of what body wash to use in the morning.
Time to gather up another round of webcomics…
An interview, a column, an excerpt, a review: it’s a big old honk honk of a day.
An excerpt from First Second’s upcoming graphic biography of Andy Kaufman, written and drawn by Box Brown.
In this in-depth interview, Mort Walker talks about growing up during the Great Depression, serving in the military, developing risque versions of his characters for overseas publishers, founding a comics art museum housed in a concrete castle, raising 10 kids, and much more.
Mike Grell wrote a lot of issues of Green Arrow. But were any of them any good? Let Tegan take the wheel.
Holman took madcap comedy, pumped it into a comic strip, Smokey Stover, and punned his way to everlasting infoomy.
Today in news that you already knew, but had to wait for the proof that it wasn’t just the writing on the wall.
I guess I’m also not really interested in creating expectations?
The minicomics and zines that shaped the columnist’s aesthetics.