Shut Up ‘n Play Yer Guitar
Tegan thought she was done, but then Todd McFarlane reprinted a bunch of issues of Spawn tie-in comics, and so she’s back. With a movie pitch!
Tegan thought she was done, but then Todd McFarlane reprinted a bunch of issues of Spawn tie-in comics, and so she’s back. With a movie pitch!
You never know what random crap you say is gonna turn up after they put you in the ground: so choose that stuff wisely, hoss!
Alex Dueben and J.M. DeMatteis got together to discuss the recent rerelease of DeMatteis and Jon Muth’s influential Moonshadow, and the years of writing experience that surrounded the series original publication.
“Cannabis is a safe and effective drug that many people enjoy the benefits of,” writes Brown. “There is no reason it should have been prohibited in the first place.” OK, great. But now what? If you pick up the book expecting it to engage with hot topics, including edibles dosage, pot market regulation, epilepsy treatment or the need for more research, you won’t find them anywhere.
Clocking in has its own challenges, but otherwise, Nate’s work day turns out quite like most of ’em. But swapping Sons of Anarchy out for Downton Abbey? That’s a choice, pal!
Thanks to Przemysław Trusciński, we’re pleased to share this excerpt from his Trust: Album. To find out more, take a look at Michal Chudoliński’s interview with him, published last week.
Most of The Joe Shuster Story is told in understated, softly painted Edward Hopper-esque images. This perfectly suits its subject: the life and career of a quiet, humble cartoonist who remained so in spite of the fact that he co-created a mega-hit and altered culture on a global scale.
R. Orion Martin (with kuš!) has helped translate and publish a number of underground Chinese comics artists, which American alternative comics readers will find familiar in subject matter, but strange and original in tone and approach.
Nate’s morning ramble through the backissue market concludes with an explanation of the difficulties inherent in getting Coors Light to the people. Cartoonist? Meet diary!
From shaking hands with the King to sharing studio space with Neal Adams, Trevor Von Eeden’s career has been laced with history–and he and Josh Bayer mined it all for the latest run of All Time Comics. In this 2019 interview, the two of them dive right into Eeden’s hard-earned philosophy on the form.
Nate McDonough opens today’s latest Cartoonist’s Diary with all the varied modes of travel: walking, biking, running, bussing. Also: dogs!
This might not be the best Yuichi Yokoyama comic, but it’s definitely the most Yuichi Yokoyama comic. For my money, the enigmatic mangaka is the contemporary cartoonist whose work carries the highest sum total of uniqueness and quality – the guy out there right now who there’s the least amount of stuff as weird as, and the least… Read more »
After 18 months, it’s time for the final episode of Tegan O’Neil’s column, Ice Cream For Bedwetters–and we’re talking Spider-Verse, the Clone Saga and the motivation behind it all.
For the most part, Jason Aaron’s creative approach has been to take whatever subject matter that’s presented to him either by a genre or assignment and take it squarely into his aesthetic. His Ghost Rider run was posited as a kind of Green Lantern for crime and redneck action, his Thor was fight based, his… Read more »
Przemysław “Trust” Trusciński, one of Poland’s most acclaimed artists–known primarily in the US for his work on The Witcher video game franchise–discusses his most recent work with Michał Chudoliński, his history with comics, and the current state of affairs of the Polish comics scene.
For a few brief moments, it hits dazzling heights, but it cannot sustain itself and crashes into the sea.
Although intended only as a cheap laugh for his Dutch Treat Club cronies, “How To Housebreak Your Dog” assumed an illustrious afterlife.
publishing venture as venerable as what D& Q is doing with King’s work inevitably doesn’t invite the same level of excitement as brand new books by rising talents, which might be why new volumes have become less heralded over the past decade. But this is still one of comics’ all-time publishing endeavors, one that fully earns its stewardship of one of our all-time greatest works.
In this interview, Weirdo cartoonist Penny Van Horn talks about color, motherhood, animation, and scratchboard technique.
In today’s installment of Chris Kuzma’s Cartoonist Diary, we see our creator lost in a dream of his making, designed for the enjoyment of one.