Summer Pierre: Day Three
Wednesday here, and it’s the first day on the job for cartoonist Summer Pierre–along with some deep cut shout outs for the REAL comics fans.
Wednesday here, and it’s the first day on the job for cartoonist Summer Pierre–along with some deep cut shout outs for the REAL comics fans.
Daniel Schindel takes a look at two of the launch titles from Dead Reckoning, the Naval Institute Press’ new comics imprint, to see what they have to say about war.
Sometimes, when we find out what people actually think of us…it totally makes our day! Summer Pierre on a Tuesday: you know what to do.
Summer Pierre opens her Cartoonist Diary with a look at the passport bureaucracy, which brings about conversations with the deity upstairs.
Since their launch in 2015, Amagalm Comics in Philadelphia has gone on to become one of the most well known comics destinations in North America. We caught up with owner/operator Ariell Johnson on what it’s like behind the counter.
Great cartoonists get weirder as they get older; as a general rule they stop expanding the scope of their work and drill down into old obsessions, attempting to answer the few fundamental questions that hindsight makes obvious they’ve been asking all along. Like Herriman or Ditko or Alan Moore, Moebius became more idiosyncratic and introspective with age, often seemingly in search only of himself.
We catch up with the Flemish artist after the publication of his fifth major book, which is also the subject of an exhibition in Paris opening this Thursday.
A discussion with the innovative Toronto artist and comics-maker behind Don’t Come In Here and Distance Mover.
It’s called a shaggy dog story, pal. Vassilis Gogtzilas was here all week.
In today’s diary, Vassilis Gogtzilas struggles with the temptation. After all, when you’re setting at the drawing table, with no one watching…wouldn’t you?
The return of pirate cartoonist Dan O’Neill
The line between the break-up and the infinite fields beyond our moon is, technically, an actual line on a page. Vassilis Gogtzilas has the scoop!
Liza Donnelly talks about her career at The New Yorker, the “Funny Ladies” show at the Society of Illustrators, and what you do next when you break your drawing arm.