A week has concluded, with a weekend to come. Why not punctuate the former by educating yourself during the latter? Clark’s links to the past week’s comics news, reviews, interviews and points-of-views could serve as your curriculum. It’s a classic “banana in the tailpipe!”
Author and scholar Natsume Fusanosuke considers one of the great crossover mangaka from a Japanese and European perspective in this 2018 essay translated from the Japanese by Jon Holt & Teppei Fukuda.
Short Run Comix & Arts Festival Co-Founder and Executive Director Kelly Froh discusses the impact of COVID-19 on the festival and how it has changed the convention landscape.
To look at the state of Barry Windsor-Smith’s 30-plus year project Monsters, Tegan makes the case you need to get started in the 1500s, and bring those engravings to the present day: that is, if you want to take Windsor-Smith’s linework as seriously as he does.
Notes toward a definition of the explicative tendency in superhero writing… and more!
Editors and scholars Brannon Costello & Brian Cremins talk to TCJ about their recently published collection of essays, which takes a look at the comics of 1980–but not the same handful that you’d expect them too.
How does one win the game of life, the game of success? Perhaps the answers are in here…
Artist and educator Anya Davidson visits a new exhibition of Chicago cartoonists at the Museum of Contemporary Art in Chicago, spanning over half a century of history. Features dozens of pictures, an interview with co-curator Dan Nadel, and a visit to an alternative exhibition at the DIY space Gridsport.
A personal reflection on the acclaimed superhero comic book writer and what he has to say, even when he’s not saying it.
Introducing the week, with a sensible dosage of Slow Death.
Sitting down again with the acclaimed and prolific British cartoonist, who’s just seen the release of an omnibus collection for his Grandville series, and will soon be returning to the world of his pioneering graphic novel, The Adventures of Luther Arkwright.
As night falls on another week, we offer you sips of contemplation to ease your journey… into mystery?!
Kim Jooha takes a look at collage/appropriation and the various ways in which those techniques have been used in fine art and comics.
Tom digs into the early days of the DC gunfighter, and considers how mounting elements of sophistication only troubled the Weird Western star.
Cartoonist Warren Craghead and cartoonist Simon Moreton discuss Moreton’s latest creation, WHERE?, the projects and work method that brought it to fruition, and how Simon manages such a prodigious output.
Worried you’ll arrive at your next virtual comics convention without an ability to navigate all the various comics conversations? Toss those worries in the dumpster: Clark is here, and he’s got you covered with all the links you’ll need to enough comics news to keep overlong chat sessions moving while you wait to see a movie trailer!
Good boy, Hank.
An exploration of two recent crowdfunded comics tackling social ills from an anti-authoritarian perspective: Night Hunters, created by Alexis Ziritt & Dave Baker; and Beef Bros, created by Tyrell Cannon & Aubrey Sitterson.
Scenes from the early life of Hank, as MK Reed’s diary week continues.
Garden work; a helpful pet; a fancy dress; trophies awarded before a thousand eyes in an empty room.
Today, MK and her sibling try to find some sense of normalcy in the face of 2020’s various awfulness by heading out to the farm!
A new Cartoonist’s Diary begins, and so does a new era for a dog, depicted by MK Reed as having experienced, for the first time…well, you’ll just have to read on to find out!
In this expansive interview, Nate Powell describes the experience of working with Congressman John Lewis and writer Andrew Aydin on the widely popular March trilogy, his most recent non-fiction comics work Save It For Later, and how his work and parenting has been informed and changed by the American political climate of the last four years.
