The Day I Almost Killed Kurt Busiek
On the ground and in the bars at 29th Salón Internacional del Cómic de Barcelona
On the ground and in the bars at 29th Salón Internacional del Cómic de Barcelona
A tin-can jubilee.
Reading Kim Deitch means reading Kim Deitch about Kim Deitch, and burrowing into a 20th century history of his own creation.
This week we’re going to look at the proportions of the Mome comics anthology.
Hillary Chute’s Graphic Women examines autobiographical comics through a literary lens; and yet how to reckon with the mysterious “Judith Forest”‘s performative “autobiographies?”
Tokyopop will not be reverting rights back to their creators of original content, and is in discussion with certain creators regarding contract buyouts, a source told the Comics Journal this week.
An interview with Shaky Kane and David Hine, creators of The Bulletproof Coffin, a candy-coated, psychedelic superhero romp that doubles as a savage condemnation of the comics industry.
The first episode of a new biweekly podcast. The special guest: Milk & Cheese creator Evan Dorkin.
For decades, Wilson has been aiming his shrinking ray at monsters and aliens and evil humans of all sorts, and distilled their most terrifying qualities into cartoons.
A conversation with the authors of the new Alex Toth biography, Genius, Isolated.
On the ideological dialectic of Steve Ditko’s squiggles and how a slap is sometimes like a kiss. Plus: more comics; more drugs.
The man who gave comics its memory.
Bill Blackbeard, without question or quibble, is the only absolutely indispensable figure in the history of comics scholarship for the last quarter century.
Words of appreciation from Gary Groth, Chris Ware, Lucy Shelton Caswell, Mark Newgarden, Robert Beerbohm, Michael Tisserand, Peter Maresca, Trina Robbins, and others as they come in.
This week we’re going to look at the frescoes of Giotto and riff on simultaneity.
Pascal Girard wraps it up, and goes home to rest.