Best Of The Fests
Rob Clough takes a look at mini-comics from Kayla E., Sam Sharpe, Hyena Hell, Haleigh Buck and more in a column he’s calling a return “to the roots” of High-Low!
Rob Clough takes a look at mini-comics from Kayla E., Sam Sharpe, Hyena Hell, Haleigh Buck and more in a column he’s calling a return “to the roots” of High-Low!
R. Orion Martin (with kuš!) has helped translate and publish a number of underground Chinese comics artists, which American alternative comics readers will find familiar in subject matter, but strange and original in tone and approach.
E.A. Bethea’s comics read as a detailed, confessional fever dream.
In Budnik’s comics, he reveals his deepest fears and the ongoing, active experience of living with mental illness.
A close look at the recent output of Zack Soto’s genre-focused small publishing house, Study Group.
Our minicomics columnist chooses his thirty favorite shortform comics published last year.
Kevin Czap was recently awarded the Emerging Talent award at the Cartoon Crossroads Columbus (CXC) festival, a fitting honor for a cartoonist and publisher who is starting to publish on a more aggressive basis. A self-proclaimed “Comics Mom,” Czap’s goal as a publisher is to nurture and encourage the artists that they publish (Czap’s preferred… Read more »
Taking stock of a wide, stylistically various range of comics, released over the past three years by the imprint run by Box Brown and Big Planet Comics.
Taking the pulse of the alt-comics world by way of a traditional method: evaluating anthologies.
A survey of the new Polish/English imprint’s early and recent output, which ranges from all-ages material to autobio to stuff that’s far stranger.
A personal list of Clough’s favorite comics published last year, both long and short.
Matt Emery’s Pikitia Press is located in Melbourne, but Emery is a New Zealand native and unsurprisingly publishes the work of a number of Kiwis as well as Aussies. The scene has long been small but feisty but it has grown dramatically in the past five to ten years.
Kirby’s new anthology is very much a reaction to and extension of Justin Hall’s No Straight Lines. If the latter represents the past of queer comics, Kirby wanted to take a snapshot of its present.
Baum’s comics and illustrations revolve around a set of subverted genre themes, as fantasy, conspiracy, and science fiction tropes are blended with pet images.
Some have referred to Luce’s Oaf comics as “the gay version of Scott Pilgrim,” but the obvious alt-comics comparison is Jaime Hernandez.
Rob Clough takes a close look at the local comics scene in Minneapolis, and particularly the work of current and former students from the Minneapolis College of Art and Design (MCAD).
The sense I get from SAW’s first year is that Hart’s aim was to create a collaboration and dialogue with his students, rather than create a rigid differentiation between the teacher and his pupils.
Let’s take a look at the work of a sextet of new cartoonists.
Ten of the most interesting comics that have come my way over the past few months.
What I find impressive about many of the recently emergent small-press and boutique publishers is their rate of output.
I’ve yet to see any school with such a particular and exhaustive focus on the creation of comics as Stanford, with its Graphic Novel Project.
In an age when companies like Fantagraphics and Drawn & Quarterly have almost completely curtailed their publishing of traditional comic books, it’s heartening to see so many smaller publishers embracing the concept.
Minicomics and handsome books are appearing from countries not necessarily known for their alt-comics scenes. In this column, I’ll be looking at comics by cartoonists from Poland, Latvia, England, Ireland, the Netherlands, and Turkey.
What it sounds like. Rob Clough picks his thirty favorite minicomics from last year.