John Kelly didn’t just read Drew Friedman’s new book of portraits, he asked seven of the subjects what they thought of their depictions. Plus: Friedman himself sits down for a new interview.
Andrew Farago presents a heartfelt tribute to Paul Coker Jr., a pro’s pro of comics and animation, with comments by MAD colleagues and prominent admirers alike, and dozens of images spanning his entire career.
R.C. Harvey first encountered Playboy in 1955, two years after it started publishing. Today, in 2022, he eulogizes what the magazine used to be, and laments what it eventually became.
Author Brian Doherty’s forthcoming narrative history of underground comix, “Dirty Pictures”, is a big one – so big, an entire chapter had to be deleted for space. Today, we present to you that lost chapter as a standalone reflection on the generation gap (or lack thereof) between the underground cartoonists and their older, straighter inspirations.
University of Washington professor José Alaniz invited me to prepare and deliver a guest lecture on early comics for his class on food-themed comics. You could say I hoped the project would turn out to be something I could sink my teeth into. I was not disappointed.
Comics as a self-aware form.
In this excerpt from Bill Schelly’s forthcoming biography Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor in America, the author chronicles the lifespan of the magazine Humbug. Rebounding from the abrupt cancellation of Trump (the magazine he had left Mad to produce) after only two issues, Kurtzman rallied an all-star cast of cartoonists for their next endeavor.
Since the Invasion of these literaries, I have been observing a tendency to ask the question: if this weren’t a comic would it stand up? Would the story be any good if it were prose and in competition with the rest of the world’s prose? If we take away all these damn pictures, would the stuff that is left be worth a hoot?
Guest Blog Alert: Drew Friedman draws and writes about Harvey Kurtzman.