Shannon Wheeler: Day Five — Portugal
In which our diarist attends an international comics festival.
In which our diarist attends an international comics festival.
In which our diarist attempts to escape from New York.
In which our diarist witnesses a protest, and looks for a souvenir.
Talking process and comics journalism with the creator of How to Understand Israel in 60 Days or Less.
In which our diarist submits work to a magazine, goes drinking with fellow cartoonists, and attends a performance.
AAAAAAH! A trip to New York without Japanese comics…?! Well, maybe not… sort of?
In which our diarist’s journey to Portugal via New York begins.
Kill Kill Kill
Even among the motley crew of Baltimore’s Closed Caption Comics, Freibert stands out for the graphic intensity of his comics, in both senses of the g-word.
‘Cause it’s a light dish this time, let me tell ya.
Breaker one nine, Breaker one nine
Baldwin is one of the grand old men of webcomics, because webcomics are young enough that you can be a grand old man and still have all your hair.
Another dispatch from the fanciful world of my local newsstand, in which tough guys in rockabilly bouffants pilot the Tim Burton Batmobile down CG streets. To Barnes & Noble.
Midwest love fest.
Influence and industry.
Recorded live at the Minneapolis Indie Xpo, a conversation with the cartoonists behind Kiss & Tell and Blammo.
WOW: startling partisan invective from a funnybook legend! Don’t ask! Just click!
Perfect Example.
PS Magazine then and now…
In this month’s Grid, we talk about Daniel Clowes’s The Death-Ray. Please add your two cents or more in the comments section.
A new column, KinderComics, will focus on visual narratives aimed at and/or depicting children, most especially comics.
I’m having a devil of a time saving money these days. [LAUGHS] [APPLAUSE] [CURTAINS]
The return of the rust belt.