Julie Doucet
Reviews
Time Zone J
Drawn & Quarterly
Articles
European Journal 2023, Part 2: Paris and Angoulême
Bill Kartalopoulos is back with the second and final part of his 2023 European travelogue, including stops at bookstores and exhibitions in Paris, and the festival at Angoulême!
Doucetian Claremontism
Austin English is back, bouncing around comics history and investigating the personal and metaphysical qualities of drawing.
Time, Zone, J: Temporalities of Memory in Julie Doucet’s New Comic
Comics, in a way, are a depiction of time. Memoir, in a way defies time. Here, Lane Yates explores how Julie Doucet’s new memoir disrupts notions of time at the very heart of the comics form.
Angoulême 2022: The Return
Bill Kartalopoulos visited the 49th Angoulême International Comics Festival, and there are dozens of photos to peruse in this big trip report!
On the Neglect of Cartoons and Comics in the Literary Universe; Or, Gabrielle Bell and Contemporary Ekphrasis
Andrew Field explores the concept of ekphrasis, the vivid description of one in another–”an antithetical act of translation”–as it operates in the comics of Gabrielle Bell.
Comics / Collage / Appropriation
Kim Jooha takes a look at collage/appropriation and the various ways in which those techniques have been used in fine art and comics.
THIS WEEK IN COMICS! (3/23/16 – Mimesis is the Corridor, and Poetry the Light)
Romance! Photos! Compassion!
One-Artist Anthology Comics
As if it weren’t enough that comics are the domain of the obsessive control freak, there is a cartooning sect that perfectly defines the creative mania responsible for some of our greatest works: the one-artist anthology. This is its history.
The ABCs of Autobio Comix
In 1971 Justin Green’s Binky Brown started a revolution. Here’s what happened next.
