Bill Blackbeard, The Man Who Saved Comics, Dead at 84
Bill Blackbeard, without question or quibble, is the only absolutely indispensable figure in the history of comics scholarship for the last quarter century.
Bill Blackbeard, without question or quibble, is the only absolutely indispensable figure in the history of comics scholarship for the last quarter century.
This week we’re going to look at the frescoes of Giotto and riff on simultaneity.
Pascal Girard wraps it up, and goes home to rest.
If we acknowledge that he was the artist who gave permission for Crumb to become Crumb, then it’s clear that Wilson was the central artist of the underground generation.
An introduction to the artist’s dream-like tales spun in a lush drawing style.
Today we revisit old conflicts, straighten out “memories” and remember the good old days.
Awkward cartoonist encounters:Know them and own them.
Running alongside his storied career as a comics writer, editor, and publisher, Jim Shooter began a second, parallel career sometime in the 1990s: that of recounting his first career in vainglorious prose and delusional detail.
The long, process-intensive journey from acclaimed graphic novel to debut stage play.
Shigeru Mizuki’s first book to be published in English is a trenchant, sometimes elegaic, fictionalized memoir of a deadly war.
A few final notes on MoCCA from our Canadian diarist.
In today’s installment, Pascal draws about a new friend.
Turbulence in the world of manga-in-English inspires a look into recent works by longstanding Japanese comics presences. Meanwhile, new comics encounter the horror of DRUGS.
Cartoonist and teacher Ivan Brunetti discusses his new book with Ken Parille.
A Canadian in New York, in a sea of booze and cartoons.
This week we’re going to look at how ye olde masters like Nicolas Poussin composed his figurative works with geometry.
But not without a few bumps, and so we present a fine document of modern scholarship.
Daniel Clowes on translating his comic from The New York Times to its own book