Back in USSR – Garth Ennis’ Soviet Tales
Tom Shapira is pitting two recent war comics from Garth Ennis (Punisher: Soviet and Sara) to see which one is the best. So it’s a war between war comics? You got it!
Tom Shapira is pitting two recent war comics from Garth Ennis (Punisher: Soviet and Sara) to see which one is the best. So it’s a war between war comics? You got it!
Today, Abhay is talking to Laurenn McCubbin & Kim O’Connor, about what was wrong with the Warren Ellis Forum, what is wrong with The Comics Journal, and what steps the rest of us have to take, even after we burn those things down.
Brian Nicholson catches up with one of our most important (in terms of raw, awesome power) cartoonists, Lale Westvind, on her history, her work, her teaching and whether or not she’s going to keep riding motorcycles cross country.
Today, Abhay Khosla is speaking with Jhayne Faust Holmes, Janelle Asselin, and an anonymous third party about the So Many Of Us activist and support network, a brief contemporary history of the comic book community’s complete disinterest in dealing with its offenders, and what a future could and should look like.
Clark’s here, with all the links you need and some you don’t–but there’s only one way to discern the difference: enter, gentle reader!
Tom Kaczynski takes a look at how a DC Comics attempt at narrative streamlining (taken on as an attempt to best a competitor) inadvertently succeeded in making “narrative universes” the Platonic product storytelling aims to achieve.
Today, Abhay is looking at Warren Ellis, the culture born, cultivated and promoted on his (in)famous message board, and the hardwork of enabling performed by his sycophantic, careerist supporters.
In this conversation with Alex Dueben, Joe Sacco explains how what was originally planned as a shorter piece on climate change expanded into the excellent Paying the Land, and how he worked with the Dene of Canada’s Northwest Territory to tell their stories.
Abhay Khosla is here to catch you up what’s been happening in comics recently (and for years), what some guy just got exposed for (lots of stuff, for a long time), and how we think you should feel about it (not good!)
Which received more comics linkage this past week: Virtual San Diego Conventions or one Brooklynite’s memoir? The answer may surprise you–and it awaits just beyond the click.
“In the early 20th century eating out was a political act. You’d choose to patronize the cafe or restaurant whose owner and clientele were in tune with your political beliefs: socialism, anarchism, vegetarianism, etc….Today, someone who thinks about the politics of where they choose to eat out will probably starve.”
Clark has all the comics news this week, with one book dominating the discussion, and a link to Bane-related content, because he knows where my bread is buttered.
In Nathan’s final installment of his Cartoonist’s Diary, he’s trying to make his way through his past, ours; the thoughts that haunt him, the stories he remembers. It’s the only option.
Paul Tumey goes all in on the work found in All Time Comics, a gonzo series of super-hero comics made by the likes of Trevor Von Eeden, Josh Simmons, Josh Bayer, Julia Gfrörer, Noah Van Sciver and more.
Today, Nathan is grappling with the loss of more freelance work, and his own struggles with the “right” way to feel, the best reaction, the next step to take.
Kuniko Tsurita’s manga has finally come to English for the first time, making it possible for this chapter of gekiga to be explored more widely. It’s a major event, and Helen’s here to explain why.
As work begins to dry up, Nathan finds himself with some time for reading: but you’re never going to guess what subject haunts his trip to the history section.
Ryan Holmberg continues his series on work influenced by the coronavirus outbreak, with a look at manga and manga-adjacent media, from manga- and anime-based memes and single-page comics-format parodies, to charming cartoon diaries, admonitory medical manga, classical political cartoons, and revivals of older pandemic-themed comics.
In today’s installment of Nathan’s Diary, the pandemic is creeping its way into one of the most simple pleasures that Nathan has left: tunes!
Frank Young catches up with TCJ’s former editor, Dan Nadel, on the Ogden Whitney collection of romance comics he co-edited, how his upcoming biography of Robert Crumb came about, and what he’s been reading lately.
A new Cartoonist’s Diary begins, with Nathan Gelgud grappling with the all new challenges inherent in something as simple as going to the grocery store.
It’s been one of the biggest weeks of comics news, and Clark’s round-up reflects that both in length and width. Will the news extend beyond those dimensional qualities? Journey inward to find the answer!
Sobel’s back-issue trip to the Koch Warehouse in Brooklyn results in a trip to the Frank Miller advocacy court, questions about the Phantom Stranger, and more footnotes than I have memories of my father saying he loved me!
Jean M. Hodges takes a look at Carta Monir’s comment card zine Napkin, talks to the artist about sex, and talks about how creators can take control of their story, their identity–and how pleasurable that experience can be.