Pascal Girard: Day 5
Pascal Girard wraps it up, and goes home to rest.
Pascal Girard wraps it up, and goes home to rest.
If we acknowledge that he was the artist who gave permission for Crumb to become Crumb, then it’s clear that Wilson was the central artist of the underground generation.
Today we revisit old conflicts, straighten out “memories” and remember the good old days.
Running alongside his storied career as a comics writer, editor, and publisher, Jim Shooter began a second, parallel career sometime in the 1990s: that of recounting his first career in vainglorious prose and delusional detail.
Awkward cartoonist encounters:Know them and own them.
The long, process-intensive journey from acclaimed graphic novel to debut stage play.
Shigeru Mizuki’s first book to be published in English is a trenchant, sometimes elegaic, fictionalized memoir of a deadly war.
A few final notes on MoCCA from our Canadian diarist.
In today’s installment, Pascal draws about a new friend.
Turbulence in the world of manga-in-English inspires a look into recent works by longstanding Japanese comics presences. Meanwhile, new comics encounter the horror of DRUGS.
Cartoonist and teacher Ivan Brunetti discusses his new book with Ken Parille.
A Canadian in New York, in a sea of booze and cartoons.
This week we’re going to look at how ye olde masters like Nicolas Poussin composed his figurative works with geometry.
But not without a few bumps, and so we present a fine document of modern scholarship.
Daniel Clowes on translating his comic from The New York Times to its own book
Old myths embedded in an adaptation of Ayn Rand’s Anthem and an early work by Jacques Tardi.
The anthology will come to a close with its upcoming 22nd issue.
An enchanted train ride into the world of manga artist Gatarō Man, with several bags of savory nuts in the form of capsule entries for upcoming comics.