Ware and ‘When’ (and What About It)
A citizen of Berkeley opens Building Stories.
A citizen of Berkeley opens Building Stories.
This feature from The Comics Journal #191 summarizes the back and forth between Carmine Infantino and Mark Evanier via Comic Buyer’s Guide’s (CBG) letters column re: Infantino’s decision to have Kirby’s Superman heads redrawn. it also delves into the way CBG handled the rumor that there was a set of false sales figures shown to DC creators.
In these trimmings from the Carmine Infantino interview in #191, some of which are never before released, Infantino talks about movies, C.C. Beck and how his job affected his health.
The saddest lil’ unicorn in the whole wide world, and other comics to pluck those strings.
An overview of Carmine Infantino’s development as an artist and his corporate career.
Abhay on the Uncanny Avengers “m-word” controversy, and Tucker on three recent comics.
How to deal with stress.
On camera appearance.
Addressing save-the-date cards.
Why she isn’t visiting your state on her book tour.
A trip to the seedy side of digital comics fizzles out, yet our beloved art form endures!
My recollection of the “debate” with Harvey Pekar recently posted here was that I made an ass of myself, and I am sufficiently confident of my memory that I really can’t bear to look.
Getting ready to release a book…
LOOK OUT, new comics are comin’ ta getcha! And they’re not from around here…
On February 21st, a group of artists and writers gathered at The New School to celebrate the book by the late Robert Weaver and to salute his achievement as an illustrator more generally.
From The Comics Journal’s letters pages (Blood and Thunder), circa 1989-1990: American Splendor creator Harvey Pekar and critic R. Fiore argue over realism and genre fiction in comics. And Animal Farm.
A heady and long-gestating project emerges.
“Anything is impossible these days.”
A talk with the outgoing acquisition editor of the University Press of Misissipi, by far the leading publisher of scholarly comics criticism in North America.
A curious cultural synergy.
Where were you when the world ended? Pennsylvania? London? HERE?!
Barry Windsor-Smith talks to Gary Groth about transitioning out of the X titles into his own creator-owned work, Jack Kirby, subverting genre and the aesthetic state of the industry, ca. 1996.