Fuck You, Death: Thoughts on Finishing My Friend’s Last Book
The cartoonist Anders Nilsen describes the experience and labor of helping to bring Geneviève Castrée’s final book, A Bubble, to publication.
The cartoonist Anders Nilsen describes the experience and labor of helping to bring Geneviève Castrée’s final book, A Bubble, to publication.
“There are no strings attached. Once I decide to work with an artist, as I have always done with the press, I put enough trust in them and their project not to interfere. They don’t need my creative help, they need money.”
Today we’ve got David Brothers, Max Baitinger, and a reminder of His Holiness: Trevor Von Eeden.
From blogger to critic, from California to Portland, from Image to Viz–David Brothers is a name you already know, or soon will. In this exclusive profile, Alec Berry unpacks a career whose trajectory is all its own.
I was an occasional reader of Ozy and Millie, the webcomic from Dana Simpson that ended in 2008. Simpson then landed a deal with Universal UClick to develop a new comic strip and what emerged was Phoebe and Her Unicorn. To call it one of the 21st Century’s best comic strips may make it sound… Read more »
The creator of Prince of Cats and Black History in Its Own Words talks about his new magazine, art school, animation, and Walt Disney.
Raina Telgemeier, Megan Kelso and Ellen Forney discuss the period in between projects.
In this exclusive excerpt from Reid Psaltis’ graphic novel Kingdom/Order, we ride shotgun with one man on his symbol-laden journey through the relationship between human and beast.
Mourning, the daily struggle, the experiences of time and history: taking a look at the present and moving forward. Sarah’s got the story.
If you only read one comic featuring a concise critique of backseat coaching today, then you probably read this one: it’s Sarah Horrocks, Day Four!
In his first example of the “Event” comics, cartoonist and publisher Tom Kaczynski looks at Ted McKeever’s Eddy Current, from 1987.
Finding an emotional echo within the work of action based entertainment, pouring inspiration into creation: Day 3 is here.
Coming off the career making success of Chew, artist Rob Guillory returns to his roots, in more ways than pun, with Farmhand. It’s being published by Image and colored by Taylor Wells–but everything else is up to Rob. Alex Dueben has the score!