Behind the Blue: The Story of Peyo
It took a village to raise the Smurfs.
It took a village to raise the Smurfs.
In today’s installment of A Cartoonist’s Diary, a cornball gets cut down to size.
A never-before-published 2008 interview with the legendary late artist.
A week of Karl Stevens diaries begins, and it begins with a conversation with a friend about the difficulties of work. And knives! What about the knives???
Heath, best known for the realistic clarity and human drama he brought to the war comics he drew for DC, Marvel, Warren, and EC during a 70-year career, died Thursday night at the age of 91.
Nichols says he’s always drawn – horses and maps were his favorites – but he was introduced to comics while studying mechanical engineering at MIT. Flocks is his autobiographical book about growing up in the South, keeping secrets from his family and church, and coming to terms with his identity first as queer and then… Read more »
George Herriman, Winsor McCay, Saul Steinberg, Francisco de Goya, Leonardo da Vinci and William Hogarth walked into the National Gallery all at once, and it turns out there might be room enough for everyone: Austin English has the scoop.
After facing accusations of rape and sexual harassment, Cody Pickrodt of Ray Ray Books has filed suit against comics community figures including Whit Taylor, Laura Knetzger, Tom Kaczynski, and Ben Passmore.
Milton Caniff always took sole credit, but who really inspired her?
The Fantagraphics associate publisher explains how he thinks comiXology fits into Amazon’s plans to monopolize not just comics publishing, but retail as a whole.
There are hundreds of unknown sob stories in comics. Creators routinely signed away the rights to their original concepts, had their work butchered by heavy-handed editors, and suffered as the comics industry weathered financial upheavals. And that’s just comic books. Newspaper strips are another thing.
According to Keith Silva, we don’t talk enough about Dakota North–and he’s here to remedy that situation, with a look at the under-discussed ’80s miniseries by Martha Thomases and Tony Salmons that introduced the character.
Weapon X isn’t the only superhero comic to tear down its protagonist’s heroic facade or even to indict its readers for believing in that image – though it is one whose force and quality surpasses all but the top rank of stories to do so.
Ian goes into the woods, pal in tow, danger afoot: will our cartoonist make it safely to his destination?
The cartoonist’s diary continues with a break-time daydream.
The Normel Person and Goddess of Warcreator talks Aisha Franz, Gary Panter, Carol Tyler, and more.
We all get lost in your work, but sometimes your work is drawing a whole lot of dead bodies: it takes a toll!
Pellejero is one of Spain’s great comics artists (Historias de Barcelona, The Summer of Irreverence, Rain Wolf). Today he, along with writer Juan Díaz Canales, is making the new adventures of one of comics’ greatest characters, Hugo Pratt’s Corto Maltese.
This day in history.
In this week’s column, an Arcades Project-style history of cartoonists and their relationships with editors, publishers, and so-called fans.
Ian Densford is here, and he’s brought his love of Robert Stack with him, in the form of drawings of Robert Stack.
Tegan turns her eye to Steve Ditko, and his Shade the Changing Man series. Gather round: there’s learning to be had.
The cartoonist Anders Nilsen describes the experience and labor of helping to bring Geneviève Castrée’s final book, A Bubble, to publication.
“There are no strings attached. Once I decide to work with an artist, as I have always done with the press, I put enough trust in them and their project not to interfere. They don’t need my creative help, they need money.”