It's Tuesday here at TCJ central, and we're charging forward with our week, which will see me returning to my birth state of Texas for the second time this year. I know you don't care: but these intro sentences need something for a focus, buster. Yesterday, Katie Skelly filed a conversation with Kate Lacour, a cartoonist whose work I fondly remember being picked up in zine form by people who often thought they were getting something cute, only to discover they had entered the raw: as today, as forever, she did not disappoint.

It’s a strange thing, you know -- your pupil looks black because it’s a hole. Physiologically, it’s a dark tunnel filled with transparent jelly, and at the end of that are the nerves straight to your brain. You see with it, but you can’t see it, just the empty dark space. Light goes in, hits the fovea, and doesn’t come out, the same as a black hole. When you look into the center of your face, the center of your eye, you’re seeing the darkness inside your head. It’s spooky. You know it’s emptiness, but there’s an unshakeable feeling of presence.

So this piece relates to a single experience, the one time I did ketamine, which is a horse anesthetic, back when I was 16 or 17. I took a dose -- too much, as it turns out -- and was suddenly sliding down this black tunnel and then just complete obliteration. Absolutely without time or physicality, totally without self. And in that non-space, there was this presence, if I can call it that. Utterly without form or qualities, this deep substrate. It seemed to go on forever.

Today, we're welcoming Qiana Whitted to these august pages for a look at Hot Comb, a collection of comics by Ebony Flowers that Drawn & Quarterly put out earlier this year.

In Hot Comb, hair is the visual narrative’s barometer of the self. The eight interlocking black-and-white stories use the social, historical, and economic politics of hair to chart the different phases of African American girlhood and illustrate how ideas about racial identity, trauma, beauty, sexuality, and power pass from one generation to the next. Some of the stories appear to draw on Flowers’ personal experiences as the basis of character and conflict, while a few shorter pieces read like journal entries of conversations in which hair is the main provocation. In the salon or at the kitchen stove, the intimate relationships that develop in these black women-centered spaces are cultivated to safeguard and to equip mothers, sisters, and daughters against the dangers beyond.

Reviews? We got those too. So far this week, Leonard Pierce has swung by for a look at The Hard Tomorrow, which is another D&Q release--this one, by Eleanor Davis. Leonard was feeling this one, y'all:

Books sometimes come around at such a timely moment, and speak to you in such a precise way, that it’s almost alarming. The trick of speaking to one’s current moment is to make what you’re saying immediate and meaningful to your audience without making it so specific that it will seem dated within a short period of time, and seeing the main character of a book pick up her phone and smash likes for DSA chapters and extremely online leftists was so close to home I almost dropped The Hard Tomorrow in shock twenty pages in. 

And today, our pal Frank Young delivers his take on Brain Bats of Venus, the second volume in Greg Sadowski's much-appreciated retrospective look at Basil Wolverton. Frank's into it:

Sadowski’s compelling text makes keen use of Wolverton’s papers to tell his story. His tone is clear, level-headed and objective. The book’s hundreds of illustrations, many sourced from original art, show Wolverton trying different methods, including a short-lived detour into airbrushing. His working methods are seen via rough drafts, hand-written notes and story breakdowns. It’s a pity that no complete “Powerhouse Pepper” stories were included, but that is possibly due to rights issues. The reader gets an eclectic dose of Wolverton’s work over this decade. As with the first volume, I’ll often dip back into this one when I need a dose of homespun madness.

And that's it for the week so far! Thanks for sticking with us through the previous weeks of technical difficulties.