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Dennis P. Eichhorn, 1945–2015

*Full Disclosure: Tom Van Deusen has published and drawn Dennis Eichhorn’s work.

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If his numerous comic stories are even partially true, Dennis Eichhorn led a truly eccentric life. While many autobiographical writers tend to focus on day-to-day trivialities and introspection, Eichhorn’s stories were loaded with sex, drugs, and a whole lot of violence. And unlike most life experiences, his stories usually ended with a punch line.

Born in the infirmary at the Montana State Prison in 1945, he was adopted by Eileen and Elmer Eichhorn and raised in Boise, Idaho; his childhood was troubled. He attended Whitman College (where, according to the 1990 strip “Memoirs of a Fightin’ Missionary,” he once kicked out a local thug’s eye) and the University of Idaho on a football scholarship. The comics he wrote about his early life are loaded with violence and misanthropy, and it was not out of character for a young Eichhorn to start a fight, throw a punch or chuck a full bottle of beer into someone’s face. Just prior to his discovery of LSD, however, he decided to stop picking fights, as depicted in the strip “Them Changes,” drawn by Seth and Chester Brown

While at the University of Idaho, he edited the underground comic The Moscow Duck Review. After graduating, he worked a variety of jobs that would provide fodder for many of his strips: he was a taxi driver, social worker, concert promoter and a firefighter in the Alaskan woods — all while pursuing a writing career.

Eichhorn moved to Seattle in the late 1970s, and found work for the now-defunct alternative weekly The Rocket as senior editor and writer. It was there that he met the artist Carel Moiseiwitsch, who asked him if she could illustrate a story he had told her as a comic strip. This collaboration was the first of hundreds of autobiographical comics: “Fatal Fellatio.” Typical of his subsequent work, it was a gritty account of a sexual encounter with a prostitute who committed suicide the next day. Michael Dougan then drew “Dennis the Sullen Menace,” about Eichhorn’s time in prison for a drug charge.

dougan menace

Jim Woodring suggested that he produce enough strips to make a comic book, and this led to the publication of the first issue of Real Stuff from Fantagraphics Books in 1990. Real Stuff lasted 20 issues, and during its run Eichhorn enlisted the talents of some of the signature cartoonists of the era to render his stories, including Peter Bagge, Julie Doucet, Mary Fleener and Michael Dougan. He provided the script and told each cartoonist to interpret it in his or her own way; as such, each issue was a smorgasbord of stylistic variation. He was gifted at matching an artist with a story, such as J.R. Williams’s lunacy for his stories about outsider musician Wild Man Fischer, and Mary Fleener’s psychedelic “cubismo” style to depict a particularly bad acid trip he experienced.

Eichhorn did not shy away from depicting sexually explicit encounters in the early issues of Real Stuff, and this created problems when getting the comic over international borders. To remedy this he began the sex-themed comic Real Smut, published concurrently with Real Stuff by Fantagraphics’ Eros imprint.

In addition to his comics work at the time, Eichhorn published and edited the alternative paper the Northwest EXTRA!, which ran from 1988–1990 (and was advertised in almost every issue of Real Stuff, with back-issues for sale at exorbitant prices). He also worked at the mail-order anarchist publisher Loompanics Unlimited from 1994–1998.

NWExtra

Cover illustration by Robert, Aline and Sophie Crumb

Eichhorn fell out with Fantagraphics in the mid-’90s, and few of his autobiographical stories were published afterward. He self-financed three comic books published through Starhead Comics shortly after Real Stuff ended: Real Schmuck, The Amazing Adventures of Ace International and The Northwest Cartoon Cookery. In 2001, Swifty Morales Press published a reprint collection, Real Stuff by Dennis P. Eichhorn and a Host of Artists.

In 2013, the website Boing Boing began posting Eichhorn’s Real Stuff comics. Shortly thereafter, Eichhorn returned to alternative comics with Dennis P. Eichhorn’s Real Good Stuff from Poochie Press. It was the first collection of new work by Eichhorn in almost two decades, and included new stories drawn by original Real Stuff artists such as Pat Moriarity and Mary Fleener as well as strips by younger cartoonists such as Noah Van Sciver and Max Clotfelter. Eichhorn was active until the very end, and Last Gasp published his final book, Dennis P. Eichhorn’s Extra Good Stuff, a few months ago.

Extra Good Stuff includes the strip “What Next?” illustrated by R.L. Crabb, which depicts Eichhorn undergoing a cardioversion in 2010 and reacting to contemporary autobiographical comics writer Harvey Pekar’s death while in his hospital room. Earlier this year he suffered from pneumonia, after which his health did not improve, and he passed away October 8, 2015. Like Pekar, he was 70 years old. His wife Jane Rebelowski, daughter Sarah, grandson Knox, and a catalog of noteworthy autobio comics survive him.

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8 Responses to Dennis P. Eichhorn, 1945–2015

  1. RL Crabb says:

    And in another strange twist of fate, Denny passed away on Harvey Pekar’s birthday.

  2. Paul Tumey says:

    Glad to see this piece by you, Tom — thank you for this, and for publishing Eichhorn’s work. I particularly love how the last Eichhorn books featured art from a new generation that seemed perfectly in step with the tone and gonzo style of the stories. At some point, it might make sense to do a collection of comics about knowing and working with Dennis, using his style of storytelling. We are all too fresh from the recent loss, but in time it would be worthwhile to explore how he blurred the line between “real” and artistry. Incredible that he passed away on the same day as Pekar — one of a vast collection of astounding incidents in the life and times of Dennis Eichhorn.

  3. Jeffrey Goodman says:

    Real Stuff, Smut and Schmuck were classics and I cherish each issue! The Pekar connection gets even more curious when you consider he actually wrote the very first piece in the first issue of Real Stuff. Just check the inside cover. BTW, anybody know why the comic book stopped at issue #20? I never got the feeling Mr. Eichhorn had run out of tales to tell…..especially now that we’ve had two further issues in the years since it ceased publication. This would seem to be the place to ask.

  4. There’s something to be said for making October 8th, “Comix Day.” It is sad news indeed but, just like Harvey Pekar, the work lives on.

  5. Anthony Thorne says:

    Very sad news. Loved all of Dennis’ comics, and had the complete run of REAL STUFF (plus the others mentioned) at one point and cherished them all. A full life but like all of us I’m sure he would have been glad for more of it.

    “Hey, you can’t win if you don’t play!”

    Rest in peace Dennis.

  6. steven samuels says:

    ” BTW, anybody know why the comic book stopped at issue #20? I never got the feeling Mr. Eichhorn had run out of tales to tell”

    Kim Thompson got into that in the defunct message board. Put it this way- according to what he said they certainly they wouldn’t have cancelled it if sales had kept up to a certain level. But that was also around the time that “Grit Bath” was cancelled, so maybe one could also attribute it to a very shaky comic book marketplace. Remember, the market was especially flooded with even-shittier-than-usual mainstream comics.

    Favorite moments off the top of my head- the Hunter S. Thompson one is always near the top, But also “The Meaning Of Life” where during a firefighting gig he learns a new way to toughen one’s hands. “Het!” is probably the quintessential Eichhorn story. It’s got everything in it. Also, “Squalid Tryst With a Hamburger Princess,” the one that apparently caused the dustup between him and the publisher.

    RIP

  7. Jane Rebelowski says:

    Denny’s death is still too fresh for Sarah and I but we do intend on gathering some of his unpublished work and personal stories his family and close friends want to share.

  8. J Adam says:

    This man’s work is the best. Will be terribly missed.

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