Valentine’s Day Is Over – This Week’s Links
THIS IS THE CIA, I COMMAND YOU TO CLICK THE ABOVE LINK, THE GOVERNMENT NEEDS THIS.
THIS IS THE CIA, I COMMAND YOU TO CLICK THE ABOVE LINK, THE GOVERNMENT NEEDS THIS.
Steven Brower details the lineage of famous public domain cartoon character Mickey Mouse, who is not the great man of history, but instead one of several cats, rabbits, foxes, etc., before and after.
The classic burden: too many comics. Yes, RJ Casey bought too many comics at November’s Short Run Comix & Arts Festival – too many for last month, so here’s an extra-long column reviewing the rest of ’em.
Perhaps the cleverest trick Juliette pulls off is its simple title, printed large on the cover of the book above an alternate title, “The Ghosts Return in the Spring.” It is a book about a family’s reckoning with figurative ghosts during a troublesome few weeks, sure, but set atop the compelling family drama is a… Read more »
This is the fourth installment of Joe Sacco’s column, “The War on Gaza.”
No two consecutive Manuele Fior books have looked much alike until now, although they have always felt like the same mind at work: thinking about craft, and mark-making through that craft. This line of inquiry doesn’t necessarily rule out vivid emotion beaming into a reader’s quivering cortex at 10,000 volts, but Fior might not have… Read more »
An extensive talk with one of the most instantly recognizable stylists of the past 35 years, on the occasion of a mammoth new retrospective, Thalamus: The Art of Dave McKean.
The Super Bowl is this weekend?! Pilot, turn this jet around!
Cartoonist and publisher Rob Miller eulogizes the Scottish underground cartoonist John G. Miller, who died this past January, aged 69.
A word, then, for the pamphlet comic book. Oh, you groan, that old thing. Didn’t we dump that by the wayside? Well, we did, sort of. They still make them, you know. Yes, the new superhero comics can feel a bit thin between the fingers. Buffered only by house ads, put together on computers so… Read more »
We are pleased to present a brief essay by the late manga historian Shimizu Isao, an expert on Meiji period cartooning; here, he elucidates the connections between early 20th century literary titan Natsume Sōseki and the cartoonists of his day.
When longtime socialist writer and activist Lois Weiner recommended me Welcome Home by sisters Clarrie & Blanche Pope (both wrote while Clarrie drew), I wasn’t sure what to expect. The subject matter seemed very distant, both physically and metaphorically. I’m a man living in Metro Detroit; what do I know about a London-based queer love… Read more »
This is the third installment of Joe Sacco’s column, “The War on Gaza.”
Despite having honed an aesthetic that relies heavily on cute, streamlined cartoon characters–the kind you used to find on Saturday morning television–Jay Stephens has had one foot firmly planted in darkness throughout his career. Take, for example, the first issue of The Land of Nod (Black Eye Books, 1996), which ends with the Magilla-like Space… Read more »
Natalie Norris and Karina Shor are cartoonists who released debut longform comics in 2023; both were memoirs depicting trauma in their lives. In this conversation, they discuss their intent, their process, and the effect of this work on their daily lives.
Inspired by DC’s recent “Facsimile Edition” reprinting of Batman: Year One as four comic books, with all the ads and letters from 1986-87, Tegan O’Neil writes about everything surrounding that classic story.
This is the second installment of Joe Sacco’s column, “The War on Gaza.”
There is a certain expectation when an adaptation chooses to put the name of the original author in its title. Renounce all other versions, only this particular take can do the work justice. Of course, the very nature of an being an adaptation from one medium to another means things will have to change; Bram… Read more »
Remembering a key figure in Spanish alternative comics as the 1970s became the ’80s, best known to English readers for The Cabbie, a grimly funny vision of authoritarian mania in a comic strip vein.
Some comics you can feel straining against the self-imposed constraints of their form. Open any given page of The Collected Audra Show, compiling the first six issues of Audra Stang’s self-published anthology, and you will find a work as structurally well-behaved as anything present on a daily newspaper page (or its modern-day webcomic successor, I… Read more »
RJ Casey interviews Sally Madden & Katie Skelly, cartoonists and hosts of the popular Thick Lines podcast, now celebrating its three-year anniversary.
Joe Sacco has been a writer, an editor, and a cartoonist since the 1980s. He is the author of Palestine and Footnotes in Gaza, among more than one dozen books. “The War on Gaza” is a completely new and recurring feature of this website.
Call the cops! No, not those cops; the news cops. No, not those news cops; the cops that congratulate you on reading the news. You’ve got a citation coming.