Me Me Me

Today, Tasha Robinson returns to The Comics Journal to interview the popular cartoonist and podcaster Alex Robinson (no relation) about his new graphic novel, Our Expanding Universe.

I had done Too Cool To Be Forgotten, and at one point I hit a rut with that, so I did this Lower Regions story, which was just fun to draw. There’s no dialogue, it’s just straight-up pantomime adventure. I had so much fun doing that, I was just like, “That’s it, no more people sitting around talking about their feelings. My next book is going to be a fantasy D&D type book.” Like most of my books, I set out with a vague idea and just started improvising from there. I got about 80 pages in, complete penciled and inked pages and everything. This one had dialogue.

And I just stalled out on it. I realized I don’t read fantasy novels, and I have a hard time taking it seriously enough to write a legitimate story about it. I could write the other story because there was no dialogue. It was very simple. The protagonist fights a monster, kills the monster, moves on to the next one. But any time I started having dialogue and characters, and “Okay, what’s this character’s motivation, and how are they relating to each other,” the whole thing just fell apart. It really rattled my confidence. I think that made starting another book extra difficult: “Oh my God, what if I start working on this and I flame out again?” I think that slowed me down at first. There came a point where the story kind of clicked, and I worked a little faster after that, but I was very gun-shy at the beginning.

Rob Clough is back, too, with a review of Whit Taylor's Ghost.

As in Tom Hart's Rosalie Lightning, there is no pat ending with everything magically made better. Instead, there are affirmations of humanity and the power of creativity (it is implied that the two interstitial stories in this book, both regarding loss, were created when she chose to be treated at an inpatient facility), as well as a willingness to confront feelings of loss.

Meanwhile, elsewhere:

—Interviews & Profiles. Gil Roth interviews Glenn Head.

I’d always been really wowed by the idea of artistic freedom, but that was all just an idea and not a reality. Actually being on the street and talking about artistic integrity is a joke. It’s a joke that’s laughing at you.

Neil Patel speaks to the Swamp Thing and Miracleman artist John Totleben.

[Swamp Thing's look] evolved. I had a better handle on how the way how he should looked right from the start. I’ve been a fan of the original series right from the beginning. I introduced Steve [Bissette] to the series when we were in the Kubert School. He’d never seen it before. We were trying to come with our own thing, but I’ve got to say Swamp Thing is a hard character to draw. For one thing, he’s a difficult character to catch I think a lot of times.

—Reviews & Commentary. Susan Karlin writes about the decision to cut cartoons from the revamped Playboy.

"I think it’s a stupid move," says Pulitzer Prize and Oscar-winning cartoonist Jules Feiffer, who drew for Playboy in the late 1950s to early 1960s. "If it’s simply a matter of rebranding, why not just change the type of cartoons they run? There are more and better cartoonists today writing in alternative media and graphic novels. It’s a whole new golden age for cartoonists."

Chris Ware writes about the inspiration behind his latest New Yorker cover.

Most mornings, after I drop my eleven-year-old daughter off at school in Oak Park, Illinois, I drive my wife to the west side of Chicago, where she works as a teacher in a public school. Along the way, we’ll frequently pass a few of her students waiting for the bus, huddled in hoodies with their backward backpacks and my wife—it’s against Chicago Public School policy for a teacher to offer rides to students—will recognize and wave at many of them, citing an affectionate anecdote (“He’s one of the smartest students I’ve ever had”) or a bracing detail (“She beat up her boyfriend”) or a horrifying story (“His brother got shot”).

For Today's Inspiration, Joseph V. Procopio writes about the Italian pinup cartoonist Niso Ramponi.

—Misc. Retrofit has launched a Kickstarter for their 2016 lineup of books from Eleanor Davis, James Kochalka, Leela Corman, and other creators.