Today on the site, Joe McCulloch brings in some of the last comics of the year.
Retired comics critic and TCJ-contributor Matt Seneca is making some of his best writing available in printed and bound form.
A local neighborhood story on SF and comics writer Otto Binder.
Leela Corman’s We All Wish for Deadly Forced is reviewed here.
Check out some images from the great Ara Peterson’s (Paper Rodeo, Forcefield) new exhibition over at the Paris Review.
Finally, Richard Kyle passed away last week. He was 87 years old. He edited and produced one the greatest magazine about comics until TCJ, Graphic Story World (also called Wonderworld) and contributed to Graphic Story Magazine . His taste was prescient in the extreme, running from Red Barry, Howard Nostrand, Jesse Marsh, and Osamu Tezuka as well as many other (especially European) artists who would not gain recognition until much later (if at all). It remains one of the great resources of comics history, and it was published in the late 1960s and early 1970s! Kyle is also generally credited with coining the term “graphic novel”. In 1970 he founded and ran the Graphic Story Bookshop, where he imported and sold European and Japanese comics before, I think, anyone else. I remember him telling me he’d proudly sold a Druillet book to Jack Kirby in the early 1970s. Makes sense. Speaking of Kirby, it was Kyle who solicited and published Kirby’s Street Code in 1983 (it was only published in 1990 in Argosy), and insisted on doing so as a pencil-only piece. A first for the great artist. Kyle also had a second career as a pulp crime novelist under a few different names, none of which he would divulge (and nor have I been able to discover them). Kyle was a man way ahead of anyone else. I spent a wonderful afternoon with him in 2010, and then lost touch. I hope to pull together the interview I conducted… soon.