Today on the site:
Paul Tumey presents part two of his interview with My Favorite Thing is Monsters author Emil Ferris. Part one is here.
Paul Tumey: I’ve worked out you averaged a page every three days. Does that sound about right?
Emil Ferris: Actually it was probably about a page every two days.
Paul Tumey: That is impressive, to say the least. Earlier, you mentioned the story of the making the book was “… catastrophes followed by what amount to windfalls and blessings.” Can you share a little of that story? I’d love to know more.
Emil Ferris: Yes, There were a lot of setbacks and challenges in the process of making the book. I’m glad to relate them; it might be instructive for people who also have a story to tell. During the production of the book I went broke, experienced some homelessness due to various catastrophes, lost important relationships and had myriad physical disability setbacks and obstacles. But I believed in the story and I narrowed my focus and just kept going.
Paul Tumey: Books One and Two together are about 600 pages? It’s an ambitious work. And, like Maus, Fun Home, etc. it’s got something different and new and, if you’ll pardon the word, strange, to offer. Was it hard to find a publisher?
Emil Ferris: The two books together are coming in at closer to 800 pages between the two. And yes! It was a challenge. I have a great agent who held with me throughout the trials of the thing. The book was noticed early on by Katie Adams and initially the book was slated to come out with the extremely wonderful publisher for whom she worked, but, when finally they had the book in hand the publisher felt that I would be best off to do it differently. (The head of this company, Judith Gurewich is a total mensch!) That publisher decided to ask nothing back from the support they gave me to complete the work. I was deeply grateful, utterly broke and completely lost when they decided not to publish it. So Holly Bemiss and myself, we hit the (publishing) street like two Depression Era sales dames carrying worn suitcases full of encyclopedias (my book, “the big monster”). We went from town to town and then were ‘taken in” by the kindly folks at Fantagraphics, Gary Groth and Eric Reynolds, who just threw everything behind the book they could.
The great graphic designer and illustrator Alan Aldridge has passed away. He was best known to comics readers as the co-editor of the Penguin Book of Comics, one of the earliest cross-genre anthologies of the medium.