Kim Deitch is back with another installment of his memoir via music. It is now the late '60s, the underground era is in full swing, and after working at the East Village Other for a while, Kim decides to head west. A disclaimer:
Before resuming I should say this: Drug taking, by myself and others, really peaks in this chapter. It isn’t something I’m proud of or a thing I endorse. But it is the way it all happened.
Also, Rob Clough reviews MK Reed and Jonathan Hill's Americus.
Elsewhere, and catching up after a lousy week at doing this job, more links than you can read:
1. A fun Jay Lynch (and Ed Piskor) comic about the day Lynch and R. Crumb went to visit Chester Gould in Chicago. [I forgot that Dan already linked to this! Sorry, folks.]
2. For some reason, it never really occurred to me how young Lynda Barry must have been when she was creating the strips found in Girls + Boys, etc. This picture of her at a signing for the book makes clear immediately what my inability to draw obvious conclusions from things like years and dates did not. Those are some really funny comics.
3. Jack Kirby interviewed on the radio for his 70th birthday. Don't miss the end of this, when Stan Lee calls in and they argue over who did what. [Hat tip to S. Howe.]
4. There are two comics pieces by Noel Murray over at the AV Club right now, one a "primer" on newspaper comics that is fairly solid in a conventional kind of way, and the other a remembrance of the long-running erotic anthropomorphic-animal soap opera comic "Omaha" the Cat Dancer. (I have never read a single issue of Omaha, or the comic that is always somehow linked to it in my mind, Cherry Poptart. And have never really felt like I was missing anything. Is this genre-blindness or good sense?)
5. Tom Spurgeon turns in a rambling but insightful piece on DC's recent "relaunch." It is obviously far too early to say with any definitiveness whether or not DC's strategy will "work," or even what "working" actually means (the bigger problem), but two things I can say with certainty: the publicity was everywhere (even NPR), and there were big noticeable crowds in and outside stores in New York. Does it go without saying that the comic itself (Justice League #1) was just serviceable (if stupid and unmemorable)? Does it matter? Probably, after a few weeks, when the publicity boost dies down. Maybe some of the other new titles will be more interesting? If not, I can't see how this is really much of a change over the old way of doing things.
6. A short but fun interview with Jim Woodring.
7. A very nice review of the new issue of The Comics Journal.
8. Dan Clowes won one of this year's PEN Center Literary Awards.
9. The cartoonist Michel Fiffe writes a long and much-linked-to essay over at the Factual Opinion regarding the intersection between independent and alternative comics and more genre-oriented superhero and sci-fi material. (One factual caveat from the D&Q Twitter feed.)