Today we have R. Fiore on Sean Howe's book, Marvel Comics: The Untold Story. Fiore lived through a chunk of this story as a critic for TCJ. Here he is:
Howe’s story has four phases: (1) The Golden Eggs Are Laid, and Now They Belong to the Farmer; (2) Stan’s Not Here; (3) It’s Jim Shooter’s Universe, We Just Live in It; and (4) Strip Mining. Though the first phase is the most creative period in the history of Marvel Comics, it’s actually the least interesting part of Marvel Comics. This is in the first place because it is not Untold but told many times, and in the second place because there was actually very little human interaction. After the purge the Goodman comics operation was reduced to little more than Stan Lee in a bleak corner of the office, far from the window and close to the draft. The comics were produced by a handful of stalwart, high output freelancers led by Jack Kirby and Steve Ditko, who might come into the office once a week to discuss new assignments. In shifting their focus from monsters to men of steel they were, in true Magazine Management fashion, imitating a DC’s semi-successful initiative of reviving costumed characters.
Here's a fine interview with Jim Woodring on the subject of visions.
Timothy Callahan writes about 11 comics he brought back from BCGF.
Wow, this is really gorgeous skeleton-inflected Milton Glaser work.
A very unusual story involving the cartoonist Paul Reinman. Via.
Not comics: This is a good Philip Roth fantasy.