Paul catches up with friend, collaborator and comics historian Pete Maresca on his latest publication via Sunday Press: Gross Exaggerations: The Meshuga Comic Strips of Milt Gross. No subject is out of bounds!
An exclusive preview of 2020’s *second* gigantic showcase for recent small-press manga, with extensive commentary by the editors!
In another installment of Cartoonist X Cartoonist, Eleanor Davis takes a look at Patrick Dean’s Eddie’s Week, his recent sketchbook drawings and how ALS has changed his life.
Comics are an artform, pal: which means they don’t stop being a thing because a bunch of Americans are jerk-jawing turkey legs! Clark’s here, and the news came with him. Get to clicking if being informed means a dang thing to you!
The friends, collaborators, and colleagues of Ward Zwart reflect on the experience of working with him, reading with him and creating with him while mourning his recent passing.
Oliver Ristau returns to Bremen’s Room 404 for an exhibit of new comics work, as exhibited and performed by multiple artists associated with Rotopol Press. Germany is making moves!
Cartoonist Joe Decie and cartoonist Hannah Eaton talk about horror, both folk and personal, and how that informs and appears in her work, especially the recently published Blackwood.
Stuck inside for the duration? Never fear: let the nimble links to comics news, reviews and interviews provided by Clark send you spiraling across the spheres, learning and laughing as you go. You have the power!
Deirdre Hollman, the founder of The Black Comics Collective, speaks with Ian Thomas about how the organization has developed over the last few years, its origin story, and how its recent accomplishments have informed its plans for the future.
Cynthia Rose unpacks the history of Pablo Picasson’s comics, his zines, his caricatures and the cottage fascination that he still inspires in cartoonists as a character, spilling out from the “Picasso And Comics” exhibit at Paris’ Musée Picasso.
Robert Newsome catches up with Andy Douglas Day, whose 2020 comic Boston Corbett may be the first of its kind: a 1300 page graphic novel that takes its design cue from “a car battery”.
It’s time to say goodbye to another 2020 week: as per usual, it was packed with comics: be they news, be they blues, be they interviews. Clark is here with a roundup of links to send you off into the world more informed than you were before. Let the reading begin!
Simon Abrams takes a look back at Glenn Danzig’s foray into comics, now that his Verotik franchise has entered the next phase and turned itself into a movie that features an additional vowel.
Cartoonist Katie Skelly and Gary Groth talk about Maids, her new graphic novel with Fantagraphics, the real murders that inspired it, and how much they both love Isabelle Huppert.
One of the most read print comics of the year is….a Batman comic, featuring the Joker. Joe McCulloch is here to take a look and see what this installment of America’s favorite corporate mythology had to say for itself.
There was news this week that had nothing to do with the news: the comics news, friend! There were reviews, interviews, promotional efforts wearing the cloak of news, and they all had some connection to one of your top five favorite art forms. Clark’s got the links!
Aubrey Sitterson talks to Ian Thomas about why doing a good job was actually doing the job badly during his time with the Big Two, why his newest project is going the Kickstarter route, and what the thinks it would take for comics creators to take the power in their own field.
Bob takes a look at Tomine’s latest, and proposes an alternate title.
Adrian Tomine talks about parenting and autobiography and how they informed his most recent comic, The Loneliness of The Long Distance Cartoonist with Hillary Brown.
Clark is here to close out the week with all the comics news, interviews and reviews that gets published the week before, you know, the week that is coming up. Good luck everybody!
An expansive conversation with Stuart Immonen, whose artistic output reflects his interests: diverse, dynamic and curious. Here, he talks with Alex Dueben about his self-published work (labeled “too serious” by the biter class) and what the “Marvel method” looks like these days. Reminder: he’s not retired!
Matt Seneca cradles some longbox finds from the early 60s in his ongoing search for the quintessential “mainstream” comic in this exclusive excerpt.
Another friend shares their memories of early fanzine pioneer, publisher and writer Dick Lupoff.
Julia Gfrörer and Gretchen Felker-Martin discuss the intersection of horror and sex in the pages of Vision, her most recent comic, the most useful methods for dealing with losers online, and the value of an active fantasy life.
