Easy Winners
Old myths embedded in an adaptation of Ayn Rand’s Anthem and an early work by Jacques Tardi.
Old myths embedded in an adaptation of Ayn Rand’s Anthem and an early work by Jacques Tardi.
An enchanted train ride into the world of manga artist GatarÅ Man, with several bags of savory nuts in the form of capsule entries for upcoming comics.
This week we are going to diagram a double page spread.
Some more notes on race and comics. Although the notes deal with this issue from a variety of angles, one topic that I keep returning to here is the question of black readers of the comic strips.
A misadventure in global awareness; a deluge of new comics.
This week we’re going to do some detective work and breakdown a Tintin page.
The fifth day in a week of the life of cartoonist Brandon Graham.
The fourth day in a week of the life of Brandon Graham
The third day in a week of the life of cartoonist Brandon Graham.
A few thoughts on this week’s new Dave Collier, after which I basically spill coffee on a time machine’s control panel.
The second day in a week of the life of Brandon Graham.
The first day in a week of the life of cartoonist Brandon Graham.
This week we’re going to look at how margins can determine timing and sequencing in North American comic books.
A long buried time capsule contains hints of both a theory of communication and a utopian vision implicit in Gekiga.
Killer clowns! Buried publishers! Evil boots! Second printings! NEW COMICS.
This week we’re going to look at how the 6 x 9-inch printed live area situates itself on the North American comic book page and spread.
Rob reviews two new releases from the publisher Revival House: Trigger #2, by Mike Bertino; and Everything Unseen Parts 1-3 by Drew Beckmeyer.
The last time I saw Matthias Schultheiss, plus all your favorite upcoming comics, unless you hate them.
Some notes on race and comics which attempt to bring some nuance and complexity to a frustrating debate by bringing some historical facts to the table.
We’ll be looking at paper sizes available for making comics on American photocopier machines. So bust out your ruler, triangle, and compass.
The fifth day in a week of the life of cartoonist Vanessa Davis.
After 28 years drawing and/or writing Dick Tracy, Dick Locher is giving up stewardship of the iconic comic strip.
The 26-year-old artist Blaise Larmee is not one to let his work speak for itself.
The fourth day in a week of the life of cartoonist Vanessa Davis.