Austin English and Bill Kartalopoulos on Superboy, Patience, and Peplum
The cartoonist/publisher and the editor/scholar discuss a 1963 issue of Superboy and a recent Blutch reprint—and how they relate to the latest Clowes.
The cartoonist/publisher and the editor/scholar discuss a 1963 issue of Superboy and a recent Blutch reprint—and how they relate to the latest Clowes.
Two cartooning greats catch up on the occasion of Kaz’s Underworld: From Hoboken to Hollywood.
Romance! Photos! Compassion!
A Perverse and Cynical Contrary View Full of Hope.
Don’t want to reverse it.
Michael DeForge’s new graphic novel, Big Kids, follows the teenaged Adam through a conflict with his cop uncle, a mysterious college-aged stranger named April moving in with him and his family, and a jarring breakup with his jerky boyfriend, which then sparks a traumatic, permanent shift in his PoV.
I want to stop missing things.
Mapping out my head.
A conversation about process, structure, and aesthetics.
Still thinking about the sky.
Men thinking about women, in different times and places…
Jack and Gill.
Bothered by how the sun hits the rooms in a new house.
An excerpt focusing on Vanessa Davis’s work, taken from Tahneer Oksman’s important new contribution to the study of comics and identity.
The Box Office Poison creator talks about his new book, his podcasting empire, what killed Career Killer, and how his work methods haven’t changed substantially since the 1990s.
Buttrick was born and raised in the Midwest, but you wouldn’t know it from his comics. They feel universal, otherworldly, or more precisely, untraceable.
Gotta go fast…
A first-hand account of what a manga translator does, and doesn’t do, and how.
The fate of the Man of Steel’s artisans.
It’s okay to be critical of the things you care about, and that’s the permission I’m giving myself to be critical of what are categorically called “feminist comics” these days.
A talk with the New England-based cartoonist, whose eerie, atmospheric comic for Hazlitt, “Country Darkness,” concludes with its third part next month.
A frightful force of expensive reprint items… but there’s always other ways to spend your money.
Talking to the longtime cartoonist and Class Photo creator about his origins, and his current creative renaissance.
Dan Nadel talks to artist and musician Brian Chippendale about the history of Fort Thunder, “Maggots,” and artistic challenges.