Today on the site we have Matthias Wivel on the recent reissue of Pushwagner's Soft City.
Soft City thus is a natural extension of the portrait of the individual as a depersonalized unit in society as machine that has been a central narrative in critical discourse in the modern era. Walter Benjamin’s characterization of the person as an automaton, Fritz Lang’s Metropolis, Aldous Huxley’s clinical dystopia, the assembly lines and buzzing wheels and cogs of Charles Chaplin’s Modern Times, and of course George Orwell’s Big Brother, form the basis of Pushwagner’s vision, while his formal presentation is in the tradition of the socially engaged modernist woodcut novels of Frans Masereel, Otto Nückel and others, as well as the disillusioned counter-culture of the 70s, notably its compromised pop art.
It would all be smotheringly rote if it were not staged with such conviction. Symmetry and synchronicity are the guiding principles. The books many panoramic spreads are ordered symmetrically, with the straight lines and angles of oppression subversively rendered in the artist’s imprecise and unruled, shaky hand. Synchronicity provides the structure of the narrative – the actions we witness are repeated ad infinitum by countless families across the at times almost diagrammatic compositions. Guided by their mothers, the children wave like machines to their fathers. But here and there, subtly, small human deviations are suggested between individual figures.
The publishing event of this young and terrible year so far is The Lowbrow Reader issue 10. That's right. This long-running zine, edited by TCJ-contributor Jay Ruttenberg, featuring illustrations by TCJ designer and secret weapon Mike Reddy has been examining the past and present of comedy since long before anyone thought it was cool. More importantly, it has published the great drawings of Gilbert Gottfried. Even more importantly, this latest issue if fantastic, and has Jay's brilliant discursive essay on the unlikely connection between The Velvet Underground and Family Matters. Go forth and get it.
Over at the Village Voice the great Lauren Weinstein drew an account of Saturday's march in Washington DC.
An interview over here with Jim Woodring and his giant pen.
"As for how Trump threatens us, I would say that, like the anxious and fear-ridden families in my book, what is most terrifying is that he makes any and everything possible, including, of course, the nuclear catastrophe.” -Philip Roth.