Sean T. Collins checks in with another installment of his Say Hello! column, in which he interviews up-and-coming artists. Today, he talks to Heather Benjamin, and as the initiated might guess from the review we ran a few weeks back, the interview is NSFW. Here's a brief exchange:
There are times when I look at your work and it feels like a really explicit and direct response to depictions of women by your peers. Sexuality has returned in a big way in alt/art comics over the past three years or so—are you seeing stuff you particularly like or dislike as you look around?
Yeah, I started noticing more and more explicit material in art stuff recently. I love a lot of older art involving sexuality, but as far as work being made currently, I honestly don't particularly even gravitate towards art that includes sexuality; that's just what I personally draw. I don't have a huge interest in seeing drawings of naked people and dicks and tits and cum over the place, and I'm really not necessarily psyched on seeing it becoming more of a trend, either. If it's done well, of course I enjoy it—you know, if it seems like there's another element to it that I can get down with, that it goes deeper than just being a weird empty porn drawing because that's "shocking"—but that particular subject matter isn't something I feel really strongly about seeing and reading and whatever else. I feel pretty indifferent about it, unless it's saying something extra or if I think the drawing is gorgeous, but I'll love a drawing if I think it's done beautifully no matter what the subject matter is.
—Nicole Rudick reviews Gary Panter for the LARB.
—Jim Rugg is not just a quality cartoonist and excellent podcaster, he's also a very good comics blogger when he puts his mind to it. In his latest, he compares Hellboy on paper to Hellboy digital.
—Kyle Baker put a metric ton of his comics online and available for download, totally free. (!)
—Matt Madden delivers his first quarterly report from Angoulême.
—Finally, a short video presentation on racism in early comic books from historian Darren R. Reid (via):