This Week in Comics This Week in Comics

THIS WEEK IN COMICS! (10/31/12 – A Potentially Hazardous Downpour of Comic Book Releases and Rain)

From "Urotsukidōji: Legend of the Overfiend"; art by Toshio Maeda


God, I can't see anything. Too bad my laptop died. I wonder if these keystrokes are getting through to anyone? Is anyone left?

Or am I summarizing comic books... INTO THE ABYSS??


PLEASE NOTE: What follows is not a series of capsule reviews but an annotated selection of items listed by Diamond Comic Distributors for release to comic book retailers in North America on the particular Wednesday, or, in the event of a holiday or occurrence necessitating the close of UPS in a manner that would impact deliveries, Thursday, identified in the column title above. Not every listed item will necessarily arrive at every comic book retailer, in that some items may be delayed and ordered quantities will vary. I have in all likelihood not read any of the comics listed below, in that they are not yet released as of the writing of this column, nor will I necessarily read or purchase every item identified; THIS WEEK IN COMICS! reflects only what I find to be potentially interesting.



Pope Hats #3: Seriously though, all of you stuck in the storm center with yr correspondent/his editors might want to check with your local comics shop to make sure their windows haven't burst open or the UPS truck didn't sink, or that people were able to arrive at work to collect or unpack the comics prior to Wednesday. If so, the first order of business would be to sniff out this latest AdHouse-published issue of the old-school one-man anthology-type 40-page Alternative Comic Book with a Letters Column and Everything by Ethan Rilly. Included are new updates on the lives of over-analytic law clerk Frances and her irresponsible (and altogether happier) roommate Vickie, as well as palace intrigue in the law office. Bonus stuff too. Really funny, observant slice-of-life stuff, drawn with elan. Preview; $6.95.

Joe Kubert Presents #1 (of 6): *EDIT* Owing to a comment below by Pete Carlsson -- who has a bit of text commentary published in this 48-page collection of comics by Joe Kubert & co. -- I've changed this blurb to merely state the participation of Kubert, Brian Buniak and Sam Glanzman in what is now inescapably a memorial for the longtime comics veteran; $4.99.



Hereville: How Mirka Met a Meteorite: Being a 128-page sequel to 2010's Hereville: How Mirka Got Her Sword, a well-received compilation/revamp of a YA-friendly webcomic by Barry Deutsch concerning a young girl's exploits steeped in Judaic tradition. This time, the intervention of witchcraft sees the girl of the title faced with a doppelganger who vows to excel in all wanting areas of the heroine's life. This was also a subplot Osamu Tezuka's Barbara, oddly enough, although I expect the action here will be more middle school appropriate. The publisher is Abrams' Amulet Books. Preview; $16.95.

Shattered: The Asian American Comics Anthology: More comics from a non-specialist publisher here, as editors Jeff Yang, Parry Shen, Keith Chow, and Jerry Ma re-team with the New Press for a sequel to 2009's Secret Identities: The Asian American Superhero Anthology. This one looks to be more of a multi-genre collection, with horror, sci-fi, crime and fantasy works from Gene Luen Yang, Cliff Chiang, Larry Hama, Sonny Liew, Greg Pak, Takeshi Miyazawa, G.B. Tran and others. Official site; $21.95.

August Moon: I am unfamiliar with the work of Indonesian-born, Australia-based artist Diana Thung, but she's bringing a slick, bulbous b&w approach (kind of a 'friendlier' Taiyō Matsumoto deal) to this 320-page, Top Shelf-published tale of a young girl who encounters supernatural mysteries in her new town. Preview; $14.95.

Colony: Another Australia, and another legacy, this time concerning the late Dick Giordano, whose final original comics work was a webcomic written and inked by Bob Layton. This 164-page IDW softcover collects/completes that serial, a sci-fi version of the foundation of the eventual federation, seeing a man condemned to a penal colony in outer space; $24.99.

Abelard: Last year NBM released Bubbles & Gondola, "an odd little book" from Renaud Dillies which our own Rob Clough considered here. I have not yet had the opportunity to read it, but Dillies' Herrimanesque art looks very nice. This is his new release from the same publisher, a 128-page everything-so-far compilation of a French series created with writer Régis Hautière, about a lil' chick that tries to impress a woman by capturing the moon. Preview; $22.99.

Through the Walls: ALSO EUROPEAN - your latest all-in-one collection of an unfamiliar French series from Humanoids, this time a 96-page, 8.5" x 11" hardcover compiling "droll vignettes" about folks who can walk through walls. I sort of recognize artist Stéphane Oiry as involved in Humanoids' old Image-partnered Lucha Libre series, although I believe the writer, Jean-Luc Cornette, is making his English-translated debut. Samples; $29.95.

The Metabarons: Ultimate Collection: Being Humanoids' latest all-in-one edition of Alejandro Jodorowsky's finest hour as a comic book writer, a 544-page, 7.7" x 10.5" hardcover with a new introduction by Matt Fraction. Juan Giménez draws this inter-generational account of a caste of super-warriors that become increasingly numb from the burdens their parents placed upon them; can anything shatter the cycle of abuse? Purple, feverish, and weirdly moving by the time it all wraps - good to have it back in print. Samples; $59.95.

Absolute Final Crisis: Also in large and (increasingly) expensive compilations is this 480-page, 9" x 15 1/2" slipcased edition of a Grant Morrison-written 2008-09 superhero crossover event, possibly the single weirdest, most cerebral example of such in genre history, although that doesn't necessarily make it a superior work. I tend to slot Final Crisis in with Batman: R.I.P. as representative of a particular era in Morrison's superhero career where the emphasis on Ideas! in his work entirely overpowered considerations of satisfactory drama. That's not to say Final Crisis is all that hard to understand -- I mean, provided you read the Morrison-written tie-in issues he used as de facto additional issues of the main series, all of which are included here -- but that the storytelling eventually becomes fragmentary and notional enough that the occasional zip of its presentation can't compensate for the ad hoc, well-here's-what-needs-to-happen nature of its plotting, and that's when space isn't wasted on dull fight scenes by various artists which do tend to sap one's energy for mounting the argument that it's all a breakthrough for literary modernism in genre comics or whatnot. I got the impression I might as well be flipping through Morrison's notebooks, although the work does have some extremely vocal defenders, and they will want to see the seven new story pages (drawn by Doug Mahnke) advertised for this edition; $99.99.

Night of the Living Dead: Aftermath #1: Oh right, it's Halloween. The wind is howling outside my window pretty hard right now, so I guess I'll lay down a seasonal pick with this latest Avatar-published revival of the George Romero zombie concept, an ongoing series notable at the moment for scripts by David Hine of The Bulletproof Coffin. Art by one German Erramouspe, in what appears to be his North American penciling debut. Preview; $3.99.

B.P.R.D. Hell on Earth #100: And speaking of horror! If you pay close attention to the inside-front covers of comics books like I always do, you'll notice that most of the Hellboy-related miniseries have a little "Number xx In a Series" designation tucked away to keep track of how many total comics have accumulated, since most of these things function as 'ongoing' series anyway, just with catch up periods for the creative team built in at the end of every storyline so readers won't get antsy over lateness. But now it seems B.P.R.D. has built up enough sheer content that it's probably a better editorial/promotional bet to flaunt the longevity of the concept, hence this gala issue #100, which unfortunately lands smack in the middle of a continuing story arc, so it's probably not a great jumping on point. The artist at the moment is Tyler Crook, with James Harren picking up in #103; the writers, of course, are Mike Mignola & John Arcudi. Note that the current B.P.R.D. 1948 miniseries is not being counted as part of the 'official' series, although future one-offs and guest shots will likely be incorporated into the monthly run. Preview; $3.50.

Ghosts #1: But if the chills you crave are the sort only a longstanding imprint of a mainline superhero publisher can provide, know that Vertigo has prepped an 80-page bumper anthology boasting art by Joe Kubert, Gilbert Hernandez, Jeff Lemire, Rufus Dayglo, John McCrea and others, with stories by the likes of Geoff Johns (c'mon, who doesn't want to see him do some straight horror?), Paul Pope and Al Ewing; $7.99.

Liberty Annual 2012: Stepping outside the season, you can also find this charitable anthology published by Image, with proceeds benefiting the Comic Book Legal Defense Fund. Many past and present Image folk are represented in 48 pages, including new pieces by Brandon Graham and Jonathan Hickman, with contributions by writers Warren Ellis, Kieron Gillen, David Hine, Robert Kirkman, James Robinson, Joe Keatinge, Andy Diggle, Richard Starkings and more, as well as (non-respectively) artists Mike Allred, Charlie Adlard, Jamie McKelvie, Ben Templesmith, Roger Landridge, John Paul Leon, J. Bone and others. Samples; $4.99.

Lot 13 #1 (of 5): I'll flip through it just for the art no. 1 - a new Steve Niles-written DC miniseries with art by Glenn Fabry, favorite of connoisseurs of grotesqueness; $2.99.

Masters of the Universe: The Origin of Skeletor: I'll flip through it just for the art no. 2 - a licensed project from DC sporting the visual stylings of Frazer Irving, whom I know can put together a mean-ass skeleton, cloak or not. Script by Joshua Hale Fialkov; $2.99.

Teenage Mutant Ninja Turtles Annual 2012: IDW says this is the first time in close to two decades that co-creator Kevin Eastman has written and drawn an entire Ninja Turtles comic (Tom Waltz is credited as co-writer, though), so readers of a certain generation may log this 48-page special in the 'treat' column; $8.99.

Archie Archives Vol. 7: Finally, Archie. That'll calm us down, right? Samples; $49.99.


CONFLICT OF INTEREST RESERVOIR: How many can I finish before the walls collapse? Among the conflict selections I'll first mention The Cartoon Utopia, a 144-page "part sci-fi, part philosophy, part visual poetry, and part social manifesto" hardcover by the always-interesting Ron Regé, Jr.; $24.99. Lilli Carré returns after 2008's The Lagoon with Heads or Tails, a 200-page collection of short stories; $22.99. Fans of the old, influential genre stuff will enjoy Corpse on the Imjin! and Other Stories (240 pgs.) and Came the Dawn and Other Stories (208 pgs.), two b&w collections of EC material focused on, respectively, Harvey Kurtzman and Wally Wood; $28.99 (Corpse), $24.99 (Dawn). Finally, The Last Vispo Anthology: Visual Poetry 1998-2008 presents 336 pages of visual poetry to tickle your image/text fancy; $39.99.


Ho ho hope you enjoyed this spooooooky Halloween/active storm system edition of THIS WEEK IN COMICS!, which I trust has sufficiently undercut the gravity of the present situation. Hopefully I'll see you all on the other side, when the clouds part and the streets reopen. And if not, I'll always remember the lesson my funnies taught me:

From "Super Sherpa", anthologized in Robot Vol. 4; art by Kouji Ogata


24 Responses to THIS WEEK IN COMICS! (10/31/12 – A Potentially Hazardous Downpour of Comic Book Releases and Rain)

  1. Kit says:

    provided you read the Morrison-written tie-in issues he used as de facto additional issues of the main series, all of which are included here

    Doesn’t it still skip the two Batman issues? ABSOLUTERER FINAL CRISIS coming in 2015.

  2. Joe McCulloch says:

    Oh, I believe those two are also included… it’s a one-stop crisis shop.

  3. Sean Michael Robinson says:

    Given the changed legal status of the TMNT, this is probably the FIRST time Kevin Eastman drew a ninja turtle as work for hire. I wonder how that might feel?

    It’s a strange world.

  4. John says:

    Everything great the past week was released outside Diamond – new Ditko and Mineshaft.

  5. Lou Copeland says:

    If anyone’s interested in the oversized 12″ x 16″ French Language edition of Moebius’ Airtight Garage, that was released this week. Amazon France has it in stock:

  6. nfpendleton says:

    I read that as, “Absolutely, the Final Crisis” and lol’d.

  7. Don Druid says:

    Unfortunately for true fans, the publishers left out the ‘Vinyl Crisis’ FlexiDisc in this edition.

  8. Joe McCulloch says:

    I am planning some Ditko coverage, but I don’t have my copy yet…

  9. Pete Carlsson says:

    Re: Joe Kubert Presents #1

    There’s a little bit of misinformation in your write-up.

    Joe had been working at his own pace on the anthology; for instance, the Hawkman story was written and illustrated in 2009-10.

    With the exception of going over the color on two of the stories in the sixth and final issue and some editing on the text pieces in a couple of the latter issues, Joe finished everything for the anthology before he passed. It was always his plan to run the three completed Redeemer stories.

  10. Joe McCulloch says:

    Thanks, I’ll certainly defer to you on this…

  11. Joe McCulloch says:

    UPDATE: Contrary to the suggestion of Vertigo’s online solicitation, Paul Pope is, in fact, the artist for his story in Ghosts, although David Lapham is credited with the “script” (as opposed to the “story”, which is Pope’s).

  12. Scott Grammel says:

    Great to hear the Kubert Presents series was largely completed before he died. Now could you tell me how such a high profile project as the Night Owl mini lost his inking talents half-way through? I’d have thought DC would’ve had a huge lead time for all of those BW minis.

  13. Tony says:

    Hey Kim, the Hergay Graphic Novel is starting to stir up some serious shit right out of the gate.

    It has received the enthusiastic blessing of Pierre Assouline, author of the most famous biography of Hergé, on his blog at the Le Monde newspaper site:

    While the Catholic far right has carved out some time from their busy schedule of mobilizations against the new Socialist government’s plans for the legalization of gay marriage, to brazenly urge the Herge Foundation to go to court in order to get the book banned, because really won’t somebody please think of the children?

  14. Kit says:

    Hmm, Amazon and Barnes & Noble pages still say no Batmen at 480 pp total – DC’s site now says Batmen included, but only 400pp. (Also, there were originally meant to be 10 new pages of fighting included – wonder why that’s downgraded to 7.*)


  15. jasontmiles says:

    FAUST #14 came out this week!

  16. jasontmiles says:

    #15 series finale out next month. 21 years in the making.

  17. Joe McCulloch says:

    Whaaat?! I haven’t even seen a copy yet…!

  18. They obviously paid him well to charge nine bucks for a forty-eight page book…

  19. That was supposed to go under the Kevin Eastman comment about the work for hire annual…oh well…

  20. Ben says:

    Hey Tony, do you also go by the name Rich Johnston, or did he lift your comment wholesale and post it on another site the next day?

    If someone actually plagiarized a comment section I’m going to laugh out loud.

  21. Tony says:

    I tipped him.

    The same text that I posted here was sent by myself via e-mail to Bleeding Cool, at the same time. They chose to run it practically untouched.

    Johnston has always asked for tips about any relevant stories:

    The only reason I posted it here was trying to pry a comment out of America’s Number One Hergé fan, Mr. Kim Thompson, but no dice…

    For anyone interested in following this story, the Facebook wall of the publisher is the place where they’re compiling all the links from all over the French internet dealing with the repercussion the book is causing:

  22. mateor says:

    Umm…that is fucking awkward.

    Rich even puts a link over the last words, to the point where you think he is back linking. But no.

    We are not talking about a paraphrase here.


  23. Kim Thompson says:

    I’m very interested in the book, sure, but I don’t have a copy of it yet. “Hergay” is a provocative thesis, but discussion of Hergé in France and Belgium is so mired in social, political, personal and business arguments by now that it often has more heat than light. I’m not saying anyone’s embracing it to goad the notoriously protective and prickly guardians of the Hergé estate (or the conservative establishment, which lo-o-oves Hergé), but I’m sure they’re getting a bit of a kick out of it.

  24. Ben says:

    Fair enough. I had googled “hergay” to learn a little more, the bleedingcool article popped up, and I was curious why it was verbatim.

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