Today on the site, we bring you a John Kelly report on the new Society of Illustrators "Alt-Weekly Comics" show. Here's a bit from the piece:
By appearing in the alt-weeklies, several generations of talented cartoonists gained access to audiences well beyond the world of fans of college papers, mini comics and zines. Their work was brought to the attention of alternative music and other fringe culture fans, especially in Seattle, where it’s two weeklies, The Rocket and The Stranger, thrived during the rise and fall of that city’s grunge era. And like the underground cartoonists of the 1960s and '70s (but to a lesser degree) some of the alt-weekly cartoonists literally became as big as the rock stars whose albums and concert posters their work appeared on.
“There’s a way in which the animation culture of the 90s and 2000s and what goes on now with Adult Swim and all that [has its roots in] the strips in the alternative-weeklies the same way National Lampoon was to early Saturday Night Live,” said Michael Grossman, former art director for The National Lampoon, The Village Voice and Entertainment Weekly. “It was sort of this thing that was going on and the exploded into something else that left the original behind.”
More than 100 examples of work of that initial burst of energy are on display at the SOI show, ranging from little seen examples of the original artwork for the strips to pages literally torn from the old newspapers. It is also significant to note that the show takes place at the venerable Society of Illustrators, not somewhere like the CBGB Gallery or Max Fish, places where such exhibits took place during the alt-weekly heyday. Additionally, the show received an enthusiastic endorsement from no less that The New Yorker.
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