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Today, Rob Steibel uses his column to explore some of Jack Kirby’s ’70s pencil work.

And George Elkind reviews Jon Vermilyea’s Fata Morgana.

Elsewhere:

—Reviews & Commentary.
Illogical Volume reviews Harvey Pekar & Joseph Remnant, Ulli Lust, and others. Chris Mautner reflects on the scatological in comics from Johnny Ryan and Michael DeForge. Tom Spurgeon reviews the new collection of Henry comic books. In the you’ll-know-if-you-want-to-read-it category, Dave Sim responds in his own inimitable way to the misogyny allegations recently laid against Alan Moore.

—Profiles & Interviews.
Daily Life talks to Alison Bechdel. HiLobrow briefly celebrates Ronald Searle.

—News. Jen Sorenson won the Herblock Prize. Former DC publisher Paul Levitz has joined the board at Boom! The playwright Roberto Aguirre-Sacasa is the new chief creative officer at Archie. Image publisher Eric Stephenson won the 2014 appreciation award from retailers’ organization ComicsPRO. (If you read a lot of online comics discussion besides this site, you’re probably already heard of Stephenson’s controversial speech at the annual ComicsPRO meeting. Aaron Kashtan explores the speech in two posts.) Major Japanese publisher Kadokawa plans to introduce a new digital manga reader, including titles in English.

—Misc. Stanley Kubrick’s photos of New Yorker cartoonist Peter Arno. Last Gasp is hosting a logo design contest. (Greg Irons drew the original.) A longtime 48-year-old comic-book collector is selling off most of his collection, and started a blog documenting the process.

—Ways to Spend Money. The Yeah Dude subscription drive Kickstarter is almost over, and as of this writing this-close to reaching its main fundraising goal. Space Face has announced a subscription drive. Inkstuds superfans might be interested in their Kickstarter to fund an American interview tour. A new Pigeon Press Gallery site is selling original art from Ivan Brunetti, Charles Burns, Daniel Clowes, and others.

—Historical Link of the Day.
In a 1987 Bullpen Bulletin for the ages, then Marvel editor-in-chief Jim Shooter stands up for what he really believes in.


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