A bit of text in the lower left corner of the cover to Abelard describes it as a “magical graphic novel.” That should have tipped me off right away. The only thing that should ever be described as “magical” is someone in a tuxedo pulling a rabbit out of a hat (and even then I have my doubts). It is an overused, trite word that suggests wonder and mystery but is usually affixed to works of art that are soppingly sentimental and mind-bogglingly trite.

And so it is with Abelard, the latest graphic novel from artist Renaud Dillies, who had previously graced American readers with Bubbles & Gondola, a book about a cute mouse, unread by me. He both wrote and drew that book, but here he joins forces with fellow cartoonist Régis Hautière, who is credited with the story.

Dillies returns to the funny animal milieu in Abelard. The title character is a little chick given to wearing an oversize hat that frequently dispenses banal, fortune cookie-esque sayings (an example: “Write your troubles in the sand, carve your blessings in stone”). Why does his hat do this? Because it’s magical, duh.

Seemingly bereft of parents and living in a bucolic, mostly female-free marsh, Abelard is astoundingly naïve. Seriously, no one over the age of ten is as clueless as this kid appears to be. How clueless is he? So clueless that, when he falls hopelessly in love with a young woman visiting the marsh, he decides to travel to America so he can hop in one of those new fangled flying machines (the story seems to be set in the early 20th century) and give her the moon. He does this after a passer-by suggests offering the girl the moon is the best way to win her love and Abledard is obviously a very literal-minded person (we’ve already been treated to a winsome sequence of him attempting to reach the moon via ladder).

But of course, being a naïve innocent set adrift in the cold, heartless world is an easy, familiar motif for cartoonists and authors to rely upon. And, as you might expect we get lots of sequences of Abelard being flummoxed or abused by mean, cruel people. Abelard even joins up with a cynical, dour bear, and if you suspect that the bear finds his hard heart melted and learns to trust in people and the world again through his interactions with Abelard, then I will commend you for having read more than one book in your life.

I confess I’ve never understood why Western culture trumpets these “wise fool” characters to the extent that it does. I’ve always regarded naïveté as something to be overcome rather than cherished. In life I’ve found naïve people to generally the most bigoted, ignorant and unlikeable people around. Maybe I’m going to the wrong bars though.

Is all of Abelard bad? No. Dillies is certainly a skilled artist. I like his rough, sketchy, cartoonish line. I like the way he uses thick, black brush strokes to outline his characters. I like the map that he draws to outline Abelard’s travels with gypsies and the way he designs a page so that the panel borders look a gypsy caravan. Those little bits are genuinely charming.

But those elements aren’t enough to save Abelard from the slough of bathos and sentimentality it’s mired in. Technical skill alone can’t save a comic like this when what it’s in service to is so thoroughly uninspired. You can pull all the rabbits out of your hat you like, but if they all look something like Abelard, I’m not calling it magical.


12 Responses to Abelard

  1. Anthony Thorne says:


  2. Jared Gardner says:

    This review is indeed a walking, talking argument for why reviewing as it is currently practiced should stop. Just stop. And I say this as someone who has been in the past guilty of writing reviews just like it.

  3. R. Fiore says:

    “I confess I’ve never understood why Western culture trumpets these ‘wise fool’ characters to the extent that they do.”

    Wishful thinking?

    Actually, I think the gramatically correct formulation in that situation is ” . . . to the extent that it do.”

  4. Tucker Stone says:

    I’d still tell you to check out Bubbles and Gondola, you sourpuss motherfucker. That’s a good comic.

  5. Chris Mautner says:

    Yer goddamned right I am. Harumph.

  6. Rob Clough says:

    Tucker’s right. Haven’t read Abelard yet, though.

  7. Tucker Stone says:

    Whoa, this comment on the same day you write a Windowpane review I totally agree with?

    I feel like I’m looking in a mirror Rob. And I like what I see.

  8. Rob Clough says:

    We’re through the looking-glass, Tucker.

  9. Jayawh says:

    Pretty good sum up of why describing anything as “magic” is usually poison.

  10. Chris Duffy says:

    This review has convinced me to buy and read this book!

  11. Chris Karpis says:

    Oh my god Chris Mautner, your review SUCKS !
    This is a good book, and you have absolutely NO IDEA what you’re talking about. You should NEVER write about comics again – I’m asking you as a favor, because I like reading TCJ.

  12. Jackie Estrada says:

    When I first looked at the cover “Bubbles & Gondola” I thought it was about a cute mouse, too. Then I read the book. It turns out to be about writer’s block, loneliness, and other adult themes. It’s not a kids’ book, and it definitely deserved the Eisner nominations it received.

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