For the record. Kevin did call me into his office one day to talk about Al’s Big Numbers art. I told him that I’d heard the same story that he did about it being torn up from the same source he had heard it from. I have never seen the finished art again after that, torn up or otherwise.
Rick Veitch’s career spans from the underground to the self-publishing movements. Jeremy Pinkham talks to him about being in the first class at the Joe Kubert school, working on Alan Moore’s Swamp Thing, and his personal take on the superhero genre. Continue reading →
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For the record. Kevin did call me into his office one day to talk about Al’s Big Numbers art. I told him that I’d heard the same story that he did about it being torn up from the same source he had heard it from. I have never seen the finished art again after that, torn up or otherwise.