“Naked” Is Dutch for “Nude”: The Early History of the Dutch Treaters
Bob’s here with a brief history of the Dutch Treat Club, their notebook of nudes, and their old President, James Montgomery Flagg.
Bob’s here with a brief history of the Dutch Treat Club, their notebook of nudes, and their old President, James Montgomery Flagg.
Steven Brower takes a look back at the wild and wooly (and probably libelous) life and times of D. Bruce Berry, which started in fandom and ended in The Fourth World.
Will Clark be able to find his way through the Bernie-memes and uncover this week’s comics news, reviews and interviews? Hell, should he? You’ll be on pins and needles all morning as soon as you…get to clicking!
It’s that time again: that Melinda Gebbie, Steve Ditko, New Yorker, Josh Bayer, Claire Bretécher and Isa Genzken time. Also, the Immortal Hulk. Austin was hungry!
Rory Blank talks with Ian Thomas about relying on a habit of daily production, surviving a job in content moderation intact, and what time he gets up now that the choice is up to him.
This time around, Goshkin is taking into a look at a recent Institute 193 publication called Cosmic Giggles, featuring work by Charles Williams.
Beginnings. Endings. Awards. Lists. Talking. Comics. Words. Periods After Words. Underlined words and phrases. The comics news has arrived! Clark is ready to send you out, shooting through the tubes, so that you may rest yourself upon it!
A new exhibition of Milton Caniff’s work is underway at the Palazzo Arti Fumetto Friuli (PAFF!) in Pordenone, Italy–but this is one you won’t need to travel to see!
We look back a century to see how a brilliant writer managed her existence–creative and mortal–and what that might tell us for the cartoonists of today.
Cartoonist and podcaster JB Roe catches us up on how Deathlok and the TMNT got him started with comics, how risographs and the small press have kept him going, and why he’s not concerned about blowback for expressing his opinions on Gutter Boys.
It’s a New Year, and that means it’s time for a New Roundup of all the New News: buddy, some of it is good. You just have to focus on the comics end of the stick!
The influential creator talks about how he got his start in comics, how a conversation with Jim Steranko helped cement his legacy, his time in animation, the return of Milestone, and how far comics has to go (and what it has to do) if it really wants to change its racist legacy.
Tom looks back at the 1997 Unknown Soldier, when Garth Ennis and Killian Plunkett warned us of the world that was coming.
Austin English looks forward to the future via his publishing and distro outfit, Domino Books, the conclusion of years of work on his next comic, and talks about why its time for readers to expand their definition of comics.
In these two conversations excerpted from Groth’s career spanning interview with Roz Chast, they discuss her experience at The New Yorker, then and now, and her feelings about the importance and limitations of draughtsmanship.
Michael’s back, and he’s going full Columbo this time around, to solve the Case of the Naked Caniff!
Artist, activist and ALS warrior Patrick Dean speaks with Eleanor Davis about what they learned from Donald Westlake, how he balanced the bad with the funny in his comic Eddie’s Week, and how he’s making work (including drawing with his eyes) despite his ALS.
It’s Clark’s last round-up of links for 2020: let’s close out this year by catching up on all the comics news, comics reviews and comics–stuff, you know, things that don’t fit in the first two categories. “Comic book stuff”. Click away!
Digital only translations of European comics have exploded in availability in recent years. Will print editions be close behind? Will an audience of readers come as well? Bart is here with an update on a scene in search of some scenesters!
Frank Young and James Danky talk about “Wisconsin Funnies”, Danky’s past adventures in comics curation and the challenges of mounting a historical exhibit during a pandemic.
In this obituary, David A. Roach eulogizes Richard Corben, best known for his Bat Out of Hell album cover and his Den comic for Heavy Metal magazine. Corben was also a pioneering filmmaker, an innovator in the use of color, and one of the first American artists to establish himself in European comics.
Thanks to Steven Brower, The Comics Journal is pleased to share this never before published interview from 2000 between cartoonist & publisher Dylan Williams and Golden Age titan, Marvin Stein.