Bulletproof: The Kane & Hine Interview
An interview with Shaky Kane and David Hine, creators of The Bulletproof Coffin, a candy-coated, psychedelic superhero romp that doubles as a savage condemnation of the comics industry.
An interview with Shaky Kane and David Hine, creators of The Bulletproof Coffin, a candy-coated, psychedelic superhero romp that doubles as a savage condemnation of the comics industry.
The first episode of a new biweekly podcast. The special guest: Milk & Cheese creator Evan Dorkin.
For decades, Wilson has been aiming his shrinking ray at monsters and aliens and evil humans of all sorts, and distilled their most terrifying qualities into cartoons.
A conversation with the authors of the new Alex Toth biography, Genius, Isolated.
On the ideological dialectic of Steve Ditko’s squiggles and how a slap is sometimes like a kiss. Plus: more comics; more drugs.
The man who gave comics its memory.
Bill Blackbeard, without question or quibble, is the only absolutely indispensable figure in the history of comics scholarship for the last quarter century.
Words of appreciation from Gary Groth, Chris Ware, Lucy Shelton Caswell, Mark Newgarden, Robert Beerbohm, Michael Tisserand, Peter Maresca, Trina Robbins, and others as they come in.
This week we’re going to look at the frescoes of Giotto and riff on simultaneity.
An introduction to the artist’s dream-like tales spun in a lush drawing style.
Pascal Girard wraps it up, and goes home to rest.
If we acknowledge that he was the artist who gave permission for Crumb to become Crumb, then it’s clear that Wilson was the central artist of the underground generation.
Today we revisit old conflicts, straighten out “memories” and remember the good old days.
Running alongside his storied career as a comics writer, editor, and publisher, Jim Shooter began a second, parallel career sometime in the 1990s: that of recounting his first career in vainglorious prose and delusional detail.
Awkward cartoonist encounters:Know them and own them.
The long, process-intensive journey from acclaimed graphic novel to debut stage play.
Shigeru Mizuki’s first book to be published in English is a trenchant, sometimes elegaic, fictionalized memoir of a deadly war.
A few final notes on MoCCA from our Canadian diarist.